Much of John Barth's fiction arises out of his scrupulous, exacting, sometimes excruciating, consideration of his own position as a Novelist writing Now. The state of fiction is as much on his mind, if not more, than the state of America or the world; indeed he would probably argue that to be deeply concerned with the former is only another way of being deeply concerned about the latter. (p. 1)
As he writes in Letters: "I am by temperament a fabricator, not a drawer-from-life." This, of course, begs all kinds of big questions, and Barth is very adept at teasing and drawing fiction, or fabrication, out of just such begged-questions. But it does pose a problem. If Barth wants to avoid "obscure pretension" and "cynical commercialism" what … is he to write about? And in what way?
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