The stories in [Going to Meet the Man] add nothing to Mr. Baldwin's stature, nor do they diminish it by much. Five have appeared in print before; the other three are new and, for the most part, disappointing. Taken as a whole, the book traces the author's progress from "The Rockpile" and "The Outing," halting first steps toward the first novel, to his most recent work, which suffers from its journalistic conception. With the possible exception of the first two, all the stories tend to tear themselves apart. At best, they are composed in a prose oddly balanced between sheer banality and rhetoric as thick as jam. (p. 137)
While his writing labors under a burden of irrelevant subtlety, his perceptions lack bite. Too often in these stories Mr. Baldwin is held spellbound by his sensitivity; it is like a wall between him and his characters. If he fails to make the verbal incisions necessary to expose his subjects, it is often because he takes for granted precisely those things which should be in question, e.g., the dimensions of his characters, the implications of their actions. (pp. 137-38)
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