A decade ago James Baldwin, more than any other author, seemed to liberal white Americans to personify as well as to articulate the outrage and anguish of black Americans struggling to put an end to racial oppression and to achieve their civil and human rights…. Though as Northern as Martin Luther King was Southern, James Baldwin preached a more secular and apocalyptic but not really dissimilar sermon: the redemptive force of the love of a prophetic, interracial few could, even at that late date, yet prevail over the bigotry of the white majority, and so "end the racial nightmare, and achieve our country, and change the history of the world." If these brave words today seem both naïve and anachronistic, the reason is partly the nation's recent habit of giving more publicity than credence to its seers, of lavishing attention while withholding belief. (p. 1)
A proper understanding of Baldwin and his work must take into account a complicated amalgam of psychological and social elements sometimes thought to be antithetical. If, like most major black writers, Baldwin has extracted from his private ordeal the symbolic outline of his race's suffering, he has done so without obscuring the uniqueness of his personal experience. (p. 2)
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