Young Adolf is less of a success than its fascinating origins might have led us to suppose….
[By] forcing Adolf to suffer various Chaplinesque indignities, [Bainbridge] works a kind of comic historical revenge. In the course of the novel, Adolf is knocked over the head, bitten by fleas, drenched to the skin, dressed up in women's clothes. The slapstick purges old resentments, and largely frees Bainbridge from the task of 'explaining' Hitler psychologically. It must have been tempting to indulge in the ironies of hindsight, but in this respect the novel is aptly restrained: only as Adolf finally departs is a character allowed to observe: 'Such a strong-willed young man. It is a pity he will never amount to anything.'
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