SOURCE: "Antony and Cleopatra: The Stillness and the Dance," in Shakespeare's Art: Seven Essays, edited by Milton Crane, The University of Chicago Press, 1973, pp. 79-113.
In the following excerpt, Mack argues that Antony and Cleopatra "owes much, at least in its general outline, to the medieval tragic formula of the fall-of-princes and mirror-for-magistrates tradition."
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