“Linguistic Disenchantment and Architectural Solace in DeLillo and Artaud,” in Mosaic, Vol. 30, No. 1, March, 1997, pp. 97-112.
In the following essay, Thornton argues that in their work both Artaud and the novelist Don DeLillo transform language into an architecture of sounds.
This is a free excerpt of 42 words. There are 6,679 words (approx.
22 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Antonin Artaud: Critical Essay by Z. Bart Thornton Access Pass.
