“Representation and De-realization: Artaud, Genet, and Sartre,” in Antonin Artaud and the Modern Theater, edited by Gene A. Plunka, Fairleigh Dickinson University Press, 1994, pp. 170-82.
In the following essay, Akstens argues that there is a similar attempt in the work of Artaud and Jean Genet to “de-realize” accepted images and definitions of reality.
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Read the rest of this Criticism with our Antonin Artaud: Critical Essay by Thomas Akstens Access Pass.
