“The New French Theatre: Artaud, Beckett, Genet, Ionesco,” in The Sewanee Review, Vol. LXVII, No. 4, October-December, 1959, pp. 643-57.
In the following essay, Fowlie outlines Artaud's theory of theatrical ritual and dramatic cruelty, and analyzes his influence on Samuel Beckett, Jean Genet, and Eugene Ionesco.
This is a free excerpt of 45 words. There are 5,240 words (approx.
17 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Antonin Artaud: Critical Essay by Wallace Fowlie Access Pass.
