[I Know Why the Caged Bird Sings] is a poetic counterpart for the more scholarly [Growing Up in the Black Belt: Negro Youth in the Rural South by Charles S. Johnson]. For it is an autobiographical novel about a "too big Negro girl, with nappy black hair, broad feet and a space between her teeth that would hold a number-two pencil" … scratching out the early outlines of self in a small Arkansas town.
Miss Angelou confidently reaches back in memory to pull out the painful childhood times: when children fail to break the adult code, disastrously breaching faith and laws they know nothing of; when the very young swing easy from hysterical laughter to awful loneliness; from a hunger for heroes to the voluntary Pleasure-Pain game of wondering who their real parents are and how long before they take them to their authentic home.
This is a free excerpt of 144 words. There are 737 words (approx.
2 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Angelou, Maya 1928–: Critical Essay by Ernece B. Kelly Access Pass.