SOURCE: "Power and Virginity in the Problem Comedies: All's Well That Ends Well," in Broken Nuptials in Shakespeare's Plays, Yale University Press, 1985, pp. 58-104.
In the following excerpt, Neely argues that as a "problem play, " an often corrupt sexuality, rather than romantic love, drives action and informs imagery, language, character, and plot of All's Well That Ends Well.
This is a free excerpt of 59 words. There are 9,142 words (approx.
30 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our All's Well That Ends Well: Critical Essay by Carol Thomas Neely Access Pass.
