SOURCE: “Whose Name, Whose Protection: Reading Alice Childress's Wedding Band,” in Modern American Drama: The Female Canon, edited by June Schlueter, Fairleigh Dickinson University Press, 1990, pp. 184-96.
In the following essay, Wiley examines feminist and racial perspectives on Childress's Wedding Band.
This is a free excerpt of 41 words. There are 6,322 words (approx.
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