SOURCE: "Bottom's One-Man Show," in The Current in Criticism: Essays on the Present and Future of Literary Theory, edited by Clayton Koelb and Virgil Lokke, Purdue University Press, 1986, pp. 99-122.
In the following essay, Girard maintains that Bottom's transformation, as well as the world of the fairies, are products of the mimetic process acting on the mechanicals and the four lovers. Girard explores in particular how Bottom's eagerness to take on so many theatrical roles contributes to his metamorphosis.
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