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This section contains 5,104 words (approx. 18 pages at 300 words per page) |
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Critical Essay by M. E. Comtois
SOURCE: “The Comedy of the Lovers in A Midsummer Night's Dream,” in Essays in Literature, Vol. 12, No. 1, Spring, 1985, pp. 15-25.
In the following essay, Comtois asserts that the lovers' contribution to the play is primarily in the realm of farce.
A predilection of older criticism to view the young lovers in A Midsummer Night's Dream as romantic protagonists1 has given way to a general recognition of their comic function in more contemporary criticism.2 What should follow is the recognition that the play is not primarily about them, that they do not form a main plot, but that they are just one voice in a four part madrigal of the nobility, lovers, artisans and fairies.3 That voice, until the last act, has been so written as to provide at least as much comedy as is provided by the artisans. The lovers' on-going contribution is principally farce, a form...
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This section contains 5,104 words (approx. 18 pages at 300 words per page) |
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