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Thomas Gray is generally considered the second most important poet of the eighteenth century (following the dominant figure of Alexander Pope) and the most disappointing. It was generally assumed by friends and readers that he was the most talented poet of his generation, but the relatively small and even reluctantly published body of his works has left generations of scholars puzzling over the reasons for his limited production and meditating on the general reclusiveness and timidity that characterized his life. Samuel Johnson was the first of many critics to put forward the view that Gray spoke in two languages, one public and the other private, and that the private language--that of his best-known and most-loved poem, "Elegy Written in a Country Churchyard" (published in 1751 as An Elegy Wrote in a Country Church Yard)--was too seldom heard. William Wordsworth decided in his preface to Lyrical Ballads (1798), using Gray's "Sonnet on the Death of Richard West" (1775) as his example, that Gray, governed by a false idea of poetic diction, spoke in the wrong language; and Matthew Arnold, in an equally well-known judgment, remarked that the age was wrong for a poetry of high seriousness, that Gray was blighted by his age and never spoke out at all.
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