Ever since he was a small boy, he had been attracted to the theater. Tradition affords the image of the little boy grasping his grandfather's hand as they both watched the farces and tragedies at the Hôtel de Bourgogne or at the fair at Saint-Germain. When Tiberio Fiorelli, called Scaramouche, came to Paris in 1640, Molière struck up a warm friendship with the Italian actor-mime. He also met at this time a young actress, Madeleine Béjart, with whom he was to be associated until her death in 1672.
In 1643 Molière renounced the hereditary post his father held and chose instead the theater. Since the life of the theater was not considered very respectable, he assumed the name "Molière" in order to spare embarrassment to his family. That same year he signed on with the family of Madeleine Béjart and nine other actors, who formed a troupe known as the Illustre Théâtre. As the most recent of three Parisian companies, Molière and his friends fared very badly. In 1944, ridden by debts and having served two terms in debtors' prison, Molière was forced to abandon this venture. He and the Béjarts joined another company, whose tours were to take them all over France for the next 13 years.
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