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After John Donne and John Milton, John Dryden was the greatest English poet of the seventeenth century. After William Shakespeare and Ben Jonson, he was the greatest playwright. And he has no peer as a writer of prose, especially literary criticism, and as a translator. Other figures, such as George Herbert or Andrew Marvell or William Wycherley or William Congreve, may figure more prominently in anthologies and literary histories, but Dryden's sustained output in both poetry and drama ranks him higher. After Shake- speare, he wrote the greatest heroic play of the century, The Conquest of Granada, (1670-1671), and the greatest tragicomedy, Marriage A-la-Mode (1671). He wrote the greatest tragedy of the Restoration, All for Love (1677), and one of the greatest comedies, Amphitryon (1690). As a writer of prose he developed a lucid professional style, relying essentially on patterns and rhythms of everyday speech. As a critic he developed a combination of methods—historical, analytical, evaluative, dialogic—that proved enabling to neoclassical theory.
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