Academic professionalism and the triumph of the specialist have greatly reduced the role of the gifted generalist, and with exceptions such as Malcolm Muggeridge, P. J. Kavanagh, or a few writers for such journals as the
Spectator or the
Listener, the essay as a practiced literary art has almost disappeared. The newspaper or even journal article is often no longer seen as, and rarely is, a literary work. And past classics in the genre are mainly embalmed in collections, nowadays not usually studied in universities, though valued as a source of literary history, and, in the case of a few luminaries, admired as models of "personal" style.
Chesterton himself, never claiming to be more than a journalist, but nonetheless a prolific writer of essays (most of them written to meet deadlines in newspapers and journals), expressed misgivings about the essay.
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