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Gerhart Hauptmann first attempted to express himself artistically as a sculptor. But once he had discovered his literary talents he explored, after a somewhat epigonic beginning, all possible literary forms: novellas, novels, epics and lyrical poetry, and drama. While he had artistic and popular success with his novellas and novels, Hauptmann achieved his broadest recognition as a playwright. He rapidly became the most prolific and most imitated dramatist since Friedrich Schiller, whose plays dominated German thinking about this genre up to the advent of naturalism. Without its success on the stages in Berlin, naturalism would probably have remained only a mildly disruptive occurrence on the German literary scene; and this success would have been impossible without Hauptmann's plays. On the other hand, without the emergence of naturalism, Hauptmann might never have found the proper vehicle for his talents, let alone gained such prominence and influence.
Today Hauptmann remains for most theatergoers and literary historians alike the outstanding representative of strongly realistic, character-oriented, socially critical plays.
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