A favorite of the French queen, Marie Antoinette, Elisabeth Vigee LeBrun (1755-1842) began to support her mother and brother by painting portraits when she was only 15. She was one of the few women admitted to the Academie Royale in France. Perhaps best known for her portraits of members of Europe's royal families, many critics have called her "a woman before her time."
Vigee LeBrun's most famous client was Marie Antoinette, France's much maligned queen. When the two met in 1778, Vigee LeBrun's art-dealer husband had gambled away his wife's earnings. Still, she was dauntless and set out to establish her own salon where she would court royal clients. In a November 1982 article for Art in America, Brooks Adams noted that in her memoirs, Vigee LeBrun said that her much sought-after salon was, "a place where art and society mixed, where noblemen and ministers were content to sit on the floor, to avoid the stiff, formal court entertainments at Versailles." In time, her portraits and memoirs alike painted a portrait of Vigee LeBrun as a woman born to contend with anyone.
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