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The achievement of Christopher Marlowe, poet and dramatist, was enormous—surpassed only by that of his exact contemporary William Shakespeare. A few months the elder, Marlowe was usually the leader, although Shakespeare was able to bring his art to a higher perfection. Most dramatic poets of the sixteenth century followed where Marlowe had led, especially in their use of language and the blank-verse line. The prologue to Marlowe's Tamburlaine (1587-1588) proclaims its author's contempt for the stage verse of the period, in which the "jygging vaines of riming mother wits" presented the "conceits [which] clownage keepes in pay"; instead the new play promised a barbaric foreign hero, the "Scythian Tamburlaine, Threatning the world with high astounding terms." English drama was never the same again.
The son of John and Catherine Marlowe, Christopher Marlowe was born in Canterbury, where his father was a shoemaker, in 1564. He received some of his early education at The King's School, Canterbury, and an Archbishop Parker scholarship took him from this school to Corpus Christi College, Cambridge.
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