| Name: |
Andrew Marvell |
| Birth Date: |
|
| Death Date: |
|
| Place of Birth: |
|
| Nationality: |
|
| Gender: |
|
| Occupations: |
|
In an era that makes a better claim than most upon the familiar term transitional, Andrew Marvell is surely the single most compelling embodiment of the change that came over English society and letters in the course of the seventeenth century. Author of a varied array of exquisite lyrics that blend Cavalier grace with Metaphysical wit and complexity, Marvell turned, first, into a panegyrist for the Lord Protector and his regime and then into an increasingly bitter satirist and polemicist, attacking the royal court and the established church in both prose and verse. It is as if the most delicate and elusive of butterflies somehow metamorphosed into a caterpillar.
To be sure, the judgment of Marvell's contemporaries and the next few generations would not have been such. The style of the lyrics that have been so prized in the twentieth century was already out of fashion by the time of his death, but he was a pioneer in the kind of political verse satire that would be perfected by his younger contemporary John Dryden and in the next generation by Alexander Pope (both writing for the other side)--even as his satirical prose anticipated the achievement of Jonathan Swift in that vein.
This is a free page. This page contains 151 words. This
biography contains 9,652 words (approx. 32 pages at 300
words per page).
Read the rest of this Biography with our Andrew Marvell Access Pass.