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Yehuda Amichai.
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Critical Essay by Warren Bargad
It is Amichai's unique poetic voice that has proved so appealing through the years, a voice consistently in consonance with the spirit of his people and his time...
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Critical Essay by Ted Hughes
To appreciate what [Yehuda Amichai manages to do in Amen], one has to imagine him as the chief character in a drama—chief in the sense that he is the one on whom we...
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Critical Essay by Howard Schwartz
As always, Amichai speaks (and often sings) in [Amen and Travels of a Latter-day Benjamin of Tudela] with a voice that is deceptively simple, understated, and utterly...
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Critical Essay by Jascha Kessler
[The overall theme of Yehuda Amichai's Time is TIME itself] and what emerges is a sense of what it means to have lived past 50, to have undergone the fortunes a...
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Critical Essay by Vernon Young
[Yehuda Amichai] lives in history as a fish does in water…. [In Time the] theme of dislocation, of places wiped out behind him, while remaining nominal, haunts th...
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Critical Essay by Anthony Rudolf
Along with Miroslav Holub, Vasko Popa and Zbigniew Herbert, Yehuda Amichai is a member of that generation of poets who were late adolescents or young adults during Hit...
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Critical Essay by Gila Ramras-rauch
Repetition and change are the basic elements of the self-periodization which marks Amichai's poetry. Basic images occur and recur, and time gives this proces...
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Critical Essay by Publishers Weekly
"Love Poems" contains lyrics on love begun and lost, understanding and the absence of it, jealousy, separation and love transformed by memory. Situati...
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Critical Essay by Rochelle Ratner
Biblical themes and the Israeli landscape, which have always been strong elements in Amichai's poetry, are present in [Love Poems, a collection of poems he has...
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In the following essay, Alter discusses three novels of the post-Holocaust period—including Amichai's Not of This Time, Not of This Place—that attempt to reconcile survivors of mo...
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In the following review, Irwin praises the poems in Selected Poetry of Yehuda Amichai but questions the publisher's decision to have the poems retranslated.
Toward the end of Camus' nove...
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In the following essay, Kronfeld argues that, despite the opinion of his detractors to the contrary, Amichai demonstrates in his poetry a clearly defined philosophical and ontological system of though...
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In the following review, Spicehandler finds Glenda Abramson's The Writings of Yehuda Amichai: A Thematic Approach to be a valuable contribution to Amichai criticism.
Yehuda Amichai has enjoyed ...
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In the following review, Ramras-Rauch presents a brief overview of Amichai's career and praises his collected volume A Life of Poetry: 1948–1994.
"Life is lived forward and unders...
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In the following review, Slavitt examines Amichai's characteristic use of irony.
The language of Jews, the real mother tongue, is not Yiddish or Hebrew, as it certainly is not Russian, or Polis...
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In the following essay, Kronfeld explores the ways in which Amichai retains accessibility while also using complex intertextuality in his poetry.
Yehuda Amichai is the most distinguished Hebrew poet o...
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In the following essay, which is part of the Foreword to The Selected Poetry of Yehuda Amichai, Bloch explains Amichai's significance as a contemporary poet.
A friend of mine tells a story abou...
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In the following review, Ramras-Rauch presents a brief overview of Amichai's major themes and praises The Selected Poetry of Yehuda Amichai as "another occasion to enjoy the work of a po...
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In the following review, Haines discusses the contemporary relevance of Amichai's work in The Selected Poetry of Yehuda Amichai.
I should perhaps defer speaking of poems in a language I do not ...
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In the following review, Sullivan praises Assia Gutmann's translations of Amichai's work.
The poems by Yehuda Amichai in Poems have been translated from the Hebrew by Assia Gutmann. Sinc...
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In the following review of Not of This Time, Not of This Place, Pickford praises Amichai's evocation of "survivor's guilt" and his protagonist's ambiguous response t...
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In the following essay, Flinker examines Amichai's use of the biblical figures of Saul and David in his poetry.
In a series of poems first published in 1958, a modern Israeli poet, Yehuda Amich...
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In the following essay, Hirsch praises Amichai's book of poems Amen, in particular his love poems and his ability to evoke major metaphysical issues through microcosmic images.
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Yehuda Amichai...
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In the following review, Stiller praises Amichai as a poet who is representative of the Israeli spirit and tradition, but who also adds an air of modernity to the historical consciousness of his poems...
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In the following essay, Sokoloff examines the significance and use of language in El male rahamin as well as how the work fits into the modern Hebrew literary canon.
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In an essay that outlines some m...
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In the following review, Ramras-Rauch offers a favorable impression of Amichai's volume of short stories, noting Amichai's ability to suffuse ordinary experiences with extraordinary insi...
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In the following essay, which was originally presented as an address in February 1985 in Mishkenot Sha'ananim, Jerusalem, to celebrate the English translation of Amichai's volume of shor...
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In the following review of Time, Young addresses Amichai's use of language, his religious themes, and the historical context of his poetry. Young concludes that Amichai's poetry “...
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In the following essay, Hadary offers a general assessment of Amichai's poetry, at the time of his death in the year 2000.
At Jerusalem's Safra Square on September 24th, we went to say S...
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In the following review of Amichai's Open Closed Open, Biespiel offers a favorable assessment of the poet's accomplishments.
For nearly half a century, Yehuda Amichai was Israeli poetry&...
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In the following essay, Abramson discusses the theme of faith in Amichai's poetry, concluding, “Amichai's God is like no other God in Hebrew poetry.”
One of the most notewo...
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In the following essay, Abramson discusses the theme of love in Amichai's poetry.
If Yehuda Amichai does not use as topics for his work all three of those that Dante considered fundamental to p...
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In the following essay, Gold discusses the recurring imagery of plants and flowers in Amichai's poetry.
Although Yehuda Amichai won the prestigious Israel Prize for the “revolution he cr...
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In the following essay, Gold analyzes recurring motifs throughout Amichai's oeuvre.
I've filtered out of the Book of Esther the residue of vulgar joy, and out of the Book of Jeremiah the...
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In the following essay, Bloch discusses the ways in which Amichai's poems address the meaning of the Jewish experience in history.
A friend of mine tells a story about some Israeli students who...
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In the following essay, Hirsch explores central themes in the poetry of Amichai, such as love, war, history, and Jewish identity.
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For more than thirty years Yehuda Amichai has been conducting his ow...
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In the following review, Publishers Weekly offers a favorable assessment of Amichai's poetry collection Open Closed Open.
Constructing a lineage in which to place himself, Amichai begins these ...
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In the following review, Bloch and Kronfeld discuss Amichai's perspective on God and Judaism, as expressed in his poetry.
On the cover of Open Closed Open, Yehuda Amichai's new collectio...
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