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Wright Morris.
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Wright Morris has had one of the most productive and enduring careers of any American novelist, winning wide praise for his nineteen novels over the past thirty-five years. His work became progressive...
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Born near the ninety-eighth meridian, the borderline between short grass and tall, Midwest and West, Wright Morris can be considered the quintessential mid-twentieth-century novelist of the American D...
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Best known as a novelist and photographer, Wright Morris published fewer than forty short stories in his half-century career. Yet, from the start of his artistic life, Morris experimented with short f...
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Critical Essay by Robert D. Harper
Ceremony finds its thematic material in a past much deeper than that of the pioneer West and traditions much older than those of the local color novel. It fuses thre...
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Critical Essay by Jack Sullivan
Until we get to know them, the characters in [Plains Song] are about as flat as their setting. The first generation settlers in particular seem "less persons tha...
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Critical Essay by William H. Pritchard
[Plains Song is] as solid and clever a piece of work as [Morris has] produced in the last twenty years since Ceremony In Lone Tree…. Morris is a tease, is...
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Critical Essay by Robert E. Knoll
[Plains Song for Female Voices] is the culmination of a lifetime devoted to fiction. Funny and moving, realistic and visionary, symbolic and factual, it shows the han...
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Critical Essay by George Garrett
Each of the thirteen stories in Real Losses, Imaginary Gains has the refined and beautiful simplicity that only a master artist can achieve. Nothing is wasted. In art ...
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Critical Essay by R.h.w. Dillard
Kelcey [the narrator of The Fork River Space Project] enters a world imagined by others…. These overlapping imaginations, overlapping realities, give Kelcey the...
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Critical Essay by Robert E. Knoll
[The Morris novels] are not in the fashionable mode. Morris is less interested in an event, a happening, than he is in its implications. Lots of exciting events occur...
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Critical Essay by John W. Aldridge
Wright Morris may well be the last of our novelists to write with a sense of the whole of America in his blood and bones, to possess a vision of the country as both ...
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Critical Essay by Laurence B. Holland
Wright Morris's Earthly Delights, Unearthly Adornments turns, in a backward glance that he deftly links to Whitman's, to survey glancingly but surel...
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Critical Essay by Anatole Broyard
You might call [the writing in "Plains Song"] linoleum nostalgia. It is something like going through your grandmother's family album and trying t...
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Critical Essay by Larry Mcmurtry
A mature and steady craftsman, [Wright Morris] never writes badly; but in order to write compellingly he has to return to the plains. No landscape moves him so deeply ...
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Critical Essay by Bruce Allen
A summary description of [Plains Song: For Female Voices] suggests that this sophisticated "regionalist" has forsaken the impressionistic visual emphases th...
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In the following review, Seaver finds Morris's first novel My Uncle Dudley lacking in depth.
American is the word which emerges immediately from this story of a young man's trip across t...
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In the following review of The Field of Vision, the uncredited writer criticizes Morris for the novel's diction and “elaborate symbolism.”
Mr. Wright Morris's The Field of ...
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In the following excerpt, Flint dismisses The Field of Vision as overblown and empty.
Wright Morris, says John W. Aldridge, is “the most important novelist of the American middle generation...
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In the following letter, originally published in 1957, Morris talks of his own work, and of other writers.
David Madden was in 1957 a graduate student at San Francisco State College contemplating a ma...
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In the following review, West uses Morris's The Field of Vision as a touchstone for evaluating several other novels published contemporaneously with it.
Reading as many as six novels at a time ...
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In the following essay, Davis reports on a symposium discussing the writer's role in mid-twentieth-century America, in which Morris was one of the participants.
Recently Esquire magazine and th...
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In the following excerpt, DeMott praises Morris for showing the “quality of life” of mid-twentieth-century mid-western America.
The Nebraska plains and towns where much of his [Morris...
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In the following essay, Trachtenberg argues that Morris's work as a photographer informed his technique as a writer.
Again, the mind must think of itself, of the conditions of its existence (wh...
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In the following excerpt, Levine praises Morris's novel What A Way to Go as “shrewd, funny, and beautifully written.”
Twenty years separates Wright Morris' first novel, Man...
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In the following interview, Morris discusses his place in mid-twentieth-century fiction.
[Aldridge]: In your critical book, The Territory Ahead [1958], you talk about the American writer's diff...
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In the following essay, Crump discusses the conflict between the ideal and the actual, the relationship of time, memory, and imagination to each other, and the influence of Henry James and D. H. Lawre...
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In the following essay, Breit reports on a conversation in which Morris distinguishes between the processes of revealing and exposing.
Wright Morris, author of the recently published novel, Man and Bo...
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In the following essay, Albers examines the way Morris treats the conflict between desire and repression in The Field of Vision and Ceremony in Lone Tree.
They came in covered wagons, in buckboards, o...
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In the following essay, exploring the interplay of words and pictures, and of fact and fiction in Morris's Nebraska novels, Neinstein argues that Morris's characters taint the perception...
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In the following essay, Madden argues that Morris's “manipulation of clichés” is at the root of his power to render “the sensibilities of articulate and inarticulate...
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In the following essay, Arnold discusses Morris's depiction of gender roles and gender conflicts in his novel, Plains Song.
Perhaps smarting a little under the criticism that his books rarely c...
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In the following essay on Morris's novel In Orbit, Bredahl examines “the outsider” as a sexual force infusing creative energy into the lives of Indiana townspeople who have become...
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In the following essay, Lewis discusses Morris's treatment of women and feminism in his last novel.
Triumph by Default
“Man's culture was a hoax. Was there a woman who didn'...
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In the following essay, Wydeven offers a “photographic reading” of, and shows the operation of “photographic strategies” in Morris's novel The Works of Love.
Through...
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In the following essay, Bredahl examines how Morris “establishes contact with the energy of living processes” in his novels.
Poststructuralist criticism responds to the modernist sense o...
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In the essay, Crump analyzes the significance of Morris's image, in his memoir, Will's Boy, of himself hiding under a porch as a psychological key to Morris's work as a photograph...
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In the following essay, Dyck discusses attitudes towards the pioneer experience of the American west as depicted in Willa Cather's My Antonia and Morris's Plains Song.
The best days are ...
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In the following review, Schwartz focuses on Morris's treatment of the domineering and indomitable mother figure in Man & Boy.
The attack on the American Mother attains a new intensity a...
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In the following essay, Hall offers an allegorical interpretation by using a character's story in Morris's novel The Field of Vision.
Interpreters of The Field of Vision agree with chara...
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In the following interview, Morris discusses his books, his method of composition, and the work of other writers.
Morris lives with his wife Josephine in Mill Valley, California, in a small contempora...
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In the following review, Franck praises a collection of Morris's Nebraska photographs.
The pull of things past is felt at surprising times and in unexpected ways. The act of dipping a small, sw...
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In the following essay, Wydeven discusses the use of the doppelganger in Morris's fiction, and especially its use in his novel War Games.
[Colonel Foss] slept, … and he dreamt that he ca...
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In the following essay, Price interprets two of Morris's photographs in the context of his writing.
What can be seen in a photograph of corncobs by Wright Morris, the novelist? The problem migh...
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In the following essay, Hollander discusses the relation of the visual to the verbal in Morris's photo-text The Home Place.
Ecphrastic treatments of photographs in modern literary verse and pro...
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In the following essay, Trachtenberg attempts to derive the significations of Morris's photo-texts through comparisons with photos by Walker Evans and a poem by Donald Justice.
Wright Morris...
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In the following essay, Hall discusses the three varieties of consciousness he sees represented in Morris's work.
Wright Morris's forty-year career as a novelist has been haunted by the ...
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In the following essay, Barrett examines the vicissitudes of photographic reality according to Morris, and how Morris uses photography to influence our understanding of the actual world.
The photograp...
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In the following excerpt from the introductory chapter of Wright Morris Revisited, Wydeven offers a thumbnail summation of Morris's major themes and techniques.
Throughout his active career, sp...
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In the following excerpt, Guerard praises The Works of Love as a “vision of American loneliness.”
The America of Wright Morris might seem, at a glance, as remote from a European consciou...
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In the following excerpt, Schwartz argues that The Works of Love is an incompletely realized novel.
Innocence is the theme of Wright Morris' new novel, The Works Of Love. The hero is the truly ...
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In the following excerpt, the unnamed reviewer notes the importance of the American landscape and “the terrible American female” in Morris's fiction.
To read an American novel aft...
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In the following review, Coxe argues The Huge Season is a failure.
Mr. Morris' new novel begins auspiciously with a strong evocation of atmosphere and a promise of exciting events to come. The ...
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In the following unfavorable review of The Huge Season, the reviewer concludes that Morris's “pretentiously cultivated climate contains more air than imagination.”
The Huge Season...
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In the following essay, Booth examines the roles and the meanings of heroism, imagination, and love in Morris's novels.
Wright Morris has published ten books, all of them critical successes. Ma...
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