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William Morris.
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Morris, William
William Morris (1834–1896) was born in Walthamstow, now part of London, on March 24 and died at Kelmscott House, Hammersmith, London on October 3. During his own lifetime he was...
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Biography EssayWriting is only one element of William Morris's diverse achievements. He designed textiles, wallpapers, stained glass, rugs, tapestries, and embroidery; and he founded and managed a com...
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William Morris (1834-1896), one of the most versatile and influential men of his age, was the last of the major English romantics and a leading champion and promoter of revolutionary ideas as poet, cr...
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William Morris was a man of abundant energy and many talents which he devoted to art, literature, and social justice. His life was one of constant creativity as designer, craftsman, writer, translator...
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Much praised in his own lifetime for the "sweetness" of his lyrics, compared to Chaucer as a narrative poet, and seriously considered as a successor to Tennyson in the laureateship, William Morris has...
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Writing is only one element of William Morris's diverse achievement. He designed textiles, wallpapers, stained glass, rugs, tapestries, and embroidery; and he founded and managed a company to produce ...
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William Morris was a prolific writer who worked in many genres. His literary works that continue to receive considerable attention include his early short Pre-Raphaelite poems, his socialist writings,...
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One of the most versatile and gifted of all the Victorians, William Morris has had an important influence on literature, printing, interior decoration, and thought on the relation of government and th...
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William Morris has been seen as a man who divided himself among the fine and literary arts, crafts, and social concerns including the preservation of historic churches, but this characterization does ...
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In the following essay, Boos investigates the socialist-feminist element in William Morris's writing.
In the last decade of his life, William Morris developed a sage voice of “fellowship...
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In the following review, which was originally published in March 1858, Garnett investigates the poetic influences on Morris's The Defence of Guenevere.
It might not be easy to find a more strik...
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In the following essay, Stallman perceives Morris's “Rapunzel” as an archetypal Victorian treatment of the mythic quest and a “rite of passage” tale.
Morris' ...
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In the following essay, Kirchhoff views Love is Not Enough to be a transitional work in Morris's poetic development.
The notion of William Morris' career as a gradual flowering into inev...
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In the following essay, Lourie examines the seven Morris poems that make up the “The Blue Closet” group, maintaining that by studying these poems “we will perhaps have learned som...
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In the following essay, Oberg argues that the “Apology” and the Prologue to The Earthly Paradise function to foreshadow and amplify Morris's central poetic themes.
The Earthly Par...
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In the following essay, Barker compares The Earthly Paradise to Alfred Tennyson's “The Lotos-Eaters” and Edmund Spenser's The Faerie Queene to show that Morris's poe...
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In the following essay, Tarvers contends that Morris utilizes vivid color imagery in The Defence of Guenevere and Other Poems to manipulate “readers' emotional responses to the character...
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In the following essay, Latham analyzes Morris's omissions and revisions to The Earthly Paradise and establishes a chronology for the composition of the poem.
We know that the faculty for speed...
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In the following essay, Herbert contrasts the function of the frame structures of Alfred Tennyson's The Princess and Morris's The Earthly Paradise.
After reading the first volume of The ...
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In the following essay, Hale and Stevenson determine Queen Guenevere's guilt in “Defence of Guenevere,” contending that “Morris created a fully sexual woman who makes no ap...
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In the following essay, Talbot offers a feminist perspective on “Pomona” and maintains that Morris was aware and concerned with feminist and ecological issues.
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Admirers of William Morr...
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In the following essay, originally published in The Westminster Review in 1868, Pater gives a reading of Morris's oeuvre with an emphasis on the mixture of Hellenic, medieval, and modern influe...
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In the following essay, Boos provides an “inclusive and eclectic view” of Morris's poetic development.
William Morris's contemporaries viewed him primarily as the author of...
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In the following essay, Markley determines the influence of Robert Browning on Morris's “Riding Together.”
Published in 1856 in the Oxford and Cambridge Magazine, and later in the...
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In the following essay, Stevenson and Hale view “Sir Galahad: A Christmas Mystery” as a hybrid of the conventions of medieval religious drama, courtly romance, and medieval mystery play....
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In the following essay, which initially appeared in the Quarterly Review in 1872, Courthope delineates the major flaws in Morris's Earthly Paradise.
Without in any way affecting the character o...
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In the following excerpt, Stedman provides an overview of Morris's poetic oeuvre.
It is but natural, then, that we should find in William Morris a poet who may be described, to use the phrase o...
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In the following essay, Chesterton views Morris as a prime representative of the Victorian era and outlines the limitations of his verse.
It is proper enough that the unveiling of the bust of William ...
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In the following essay, Dawson credits Morris, along with Dante Gabriel Rossetti and Algernon Charles Swinburne, with the revival of Romanticism in English poetry and analyzes Morris's developm...
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In the following essay, Clutton-Brock discusses Morris as a Romantic poet, contending that of “all the Romantic poets Morris, in his early poetry was the most romantic; for he was more consciou...
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In the following essay, Litzenberg traces Morris's allusions to Eddic matters in his pre-1869 verse.
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Although William Morris is noted for the Norse adaptations he made in such poems as ȁ...
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In the following essay, Perrine provides an interpretation of Queen Guenevere's character in “The Defence of Guenevere” and finds her guilty of adultery in the poem.
“The D...
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