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Victorian literature.
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In the following essay, Rudnytsky traces the evolution of psychoanalysis and literary criticism in the early twentieth century, focusing on the work of Sigmund Freud and Otto Frank.
The first three me...
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In the following essay, Smith argues that incest is a central theme in both Jane Eyre, where Jane struggles against her incestuous feelings for father figure Rochester, and Mill on the Floss, where th...
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In the following essay, Mitchell theorizes that there is no compelling moral or social reason for Heathcliff and Cathy not to marry each other, but they abstain from a sexual or marital relationship b...
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In the following essay, Manning contends that the incest motif permeates Henry Esmond beyond the commonly acknowledged feature of Henry and Rachel's marriage; Manning also theorizes that the au...
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In the following essay, Goetz examines two interpretation problems in Wuthering Heights: first he examines Catherine's choice to marry Edgar Linton instead of Heathcliff, and then he discusses ...
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In the following essay, Vlasopolos suggests that despite some awkwardness of style and plot improbabilities Frankenstein is a coherent novel because of the conflict it presents between accepted socio-...
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In the following essay, Smith regards the happy ending of Mansfield Park to be a dismal failure and contends that the incestuous overtones of Fanny and Edmund's relationship reveal the cripplin...
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In the following essay, McGuire explores the incest theme in Wuthering Heights in the context of modern psychological breakthroughs in the study of incest; the critic draws on Ernest Jones' the...
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In the following excerpt, Hudson proposes that far from being elegiac and nostalgic, most of Austen's novels conclude with an optimistic expulsion of menacing intruders from the home and family...
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In the following essay, Himes explains that while incest was a conventional theme of nineteeth-century literature, Mary Shelley treats this theme very differently in Mathilda by presenting Mathilda...
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In the following essay, Carlson offers a close reading of Brontë's novelettes written between 1836 and 1839 and theorizes that the secret of Angria that Brontë created for her wor...
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In the following excerpt, Ford traces events in Dickens' life that parallel a search for first love depicted in many of his works. She explains that Dickens' lifelong fascination with fa...
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In the following essay, Groseclose contends that the rape/incest between Beatrice and Count Cenci is the event that controls the The Cenci structurally and histrionically. Groseclose also feels that t...
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In the following essay, Donovan traces the publishing history of Laon and Cythna, from its inception to its reprinting as The Revolt of Islam, and argues that the changes between the two versions make...
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In the following essay, Macdonald theorizes that Manfred is a powerful revision of Goethe's Faust and of the tradition behind it. Macdonald explains that the central act of the poem, the pact w...
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In the following essay, Cronin explores the evolution and significance of the themes of love and incest in Shelley's poetry. The critic contends that Romantic poetry in general and Shelley...
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In the following excerpt, Peterson defines Victorian autobiography as principally a hermeneutic and interpretive, rather than a representative, genre and surveys its literary origins in the spiritual ...
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In the following essay, Danahay focuses on the tension between the monologic and dialogic (and likewise the unitary and social) qualities of language illustrated in the autobiographical works of John ...
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In the following essay, Davis identifies the major stylistic and formal limitations of Victorian autobiography, particularly highlighting the genre's strict adherence to linearity and its inabi...
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In the following excerpt, Jay outlines Thomas Carlyle's ironic critique of Romantic autobiographical subjectivity in his Sartor Resartus.
Pity that all Metaphysics had hitherto proved so inexpr...
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In the following essay, Folkenflik studies the treatment of alterity and the self in autobiographical narratives from St. Augustine to Jean-Paul Sartre, with primary reference to several Victorian aut...
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In the following essay, Aguirre probes the relationship between the writer, authorial identity, and the realities of the literary marketplace with regard to Anthony Trollope's An Autobiography....
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In the following excerpt, Jelinek surveys autobiographical writings by English women of the nineteenth century, concluding with a summary of their contributions to the genre.
The subjective autobiogra...
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In the following essay, Danahay discusses the masculine, bourgeois ideals of individual autonomy constructed in the autobiographical works of Matthew Arnold, John Stuart Mill, and Edmund Gosse, compar...
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In the following excerpt from her book-length study of Victorian working women's writing, Swindells explores the various literary modes adapted by nineteenth-century women autobiographers (from...
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In the following essay, Gagnier evaluates the extent to which nineteenth-century working-class writers of autobiography adopted bourgeois gender ideology in their works.
A decade ago in ‘Workin...
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In the following essay, Hackett emphasizes the didactic and socially critical functions of narrative in British working-class autobiography of the nineteenth century.
Francis Russell Hart noted that &...
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In the following essay, Tracy compares Charles Dickens's novel David Copperfield and Anthony Trollope's An Autobiography in order to suggest generic affinities and distinctions between a...
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In the following essay, Carlisle analyzes the autobiographical structural patterns, action, and characterization of George Eliot's novel The Mill on the Floss.
When in the fifth book of The Mil...
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In the following essay, Murphy considers the nature of Victorian literary self-representation through comparison of Charlotte Brontë's semi-autobiographical novel Jane Eyre and Charlotte...
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In the following excerpt, Warren outlines the numerous and varied perspectives of early Victorian literary critics.
Criticism
The period of creative activity that dates roughly from the Lyrical Ballad...
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In the following excerpt, Wellek describes the 1830s and 1840s as transitional decades between earlier Romantic theories and those of the Victorian age.
Introductory
In England the thirties and fortie...
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In the following excerpt, Wellek provides an overview of contemporary literary criticism in the 1850s.
It would not be unfair to say that around 1850 English criticism had reached a nadir in its histo...
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In the following excerpt, originally published in 1977, Parrinder examines the writings of several major Victorian literary critics.
The Definition of Literary Culture
In Shelley's poem ‘...
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In the following excerpt, Eagleton explains the role of the nineteenth-century man of letters as commentator and interpreter of literature for the middle-class reading public.
The nineteenth century w...
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In the following excerpt, Eliot discusses Arnold's limitations as a critic, which he views as traceable to Arnold's belief that poetry could serve as a substitute for religion.
March 3rd...
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In the following excerpt, Trilling examines Arnold's widespread influence as a literary critic.
For to be possessed of a vigorous mind is not enough; the prime requisite is rightly to apply it....
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In the following essay, Perkins asserts that Arnold's value as a literary and cultural critic lies in his revitalization of essentially classical notions at a time when modern society was most ...
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In the following excerpt, Wimsatt provides the background for Arnold's emergence as the most important literary critic of his generation.
Feeling and Image came through the eighteenth century, ...
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In the following excerpt, originally published in 1911, Saintsbury considers Pater's disputed reputation as the finest literary critic of his generation.
To assert too positively that Mr Walter...
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In the following excerpt, Wimsatt discusses the development of English aestheticism and its association with Walter Pater, James MacNeill Whistler, and Oscar Wilde.
Aestheticism in England, says a rec...
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In the following excerpt, Farmer considers Pater's critical method in the context of earlier nineteenth-century criticism.
I
The beginning of the nineteenth century marks the opening of a new c...
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In the following excerpt, Eliot discusses the critical theories of Algernon Charles Swinburne, George Wyndham, and Charles Whibley.
Swinburne as Critic
Three conclusions at least issue from the perusa...
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In the following excerpt, originally published in 1951, Tillotson discusses Newman's influential 1829 essay, “Poetry with Reference to Aristotle's Poetics,” which is inform...
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In the following essay, Kaminsky suggests that Lewes's worth as a literary critic is far greater than his diminishing reputation in the years following his death would indicate.
Emily Dickinson...
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In the following excerpt, Wellek describes John Ruskin's literary criticism, which is based on his aesthetic theories on modern painting.
John Ruskin (1819-1900)
Ruskin seems hardly to belong t...
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In the following essay, Hyder contends that Swinburne's critical perspective was informed by his work as a poet.
I
A critic of any century is likely to be remembered for his judgment, which sho...
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