Tony Harrison's is one of the most original voices in postwar English poetry. Born into the nonliterary world of the British working class, he has through his work as a poet and translator developed a...
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Richard Eyre, the former artistic director of the Royal National Theatre, has said of that his is the "one name that seems to me to justify the claim that there is an unbroken tradition in the Britis...
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[In the following essay, Young asserts Harrison's skill as a poetic dramatist, but notes that, “His now established trade as writer for the theatre—including music-theatre—...
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[In the following review, Murray argues that Harrison's strength is in the public poetry of the theater and therefore better enjoyed in performance than in the solitary act of reading his Drama...
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[In the following excerpt, Wood argues that several contemporary British translations of Greek classics, including Harrison's Oresteia, “are claims, made through language, that Britain h...
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[In the following essay, Woodcock discusses the anger found in Harrison's poetry and asserts that its source is Harrison's “own background … and \his] sense o...
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[In the following essay, Rutter examines the role of gender in Harrison's Oresteia.]
The Headmistress considered the splendidly wrapped Christmas present from the boy she'd harangued ...
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[Symes is a film editor, director, and producer for the BBC. In the following essay, he discusses working with Tony Harrison on the verse film The Blasphemers' Banquet ]
In 1936, delivering ...
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[In the following essay, Huk discusses Harrison's adaptations of classical drama and traces how the poet brings a new life and a contemporary edge to the Greek classics.]
To understand this,...
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[In the following essay, Widdowson analyzes how Harrison's use of pronouns in his “The School of Eloquence” and Other Poems illustrates his ambivalent relationship to his parents....
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[In the following review, the critic praises Harrison as “one of today's most unusual writing talents.”]
For the first time in almost a decade, an English poet stands a good ch...
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[In the following review, Lapenta criticizes the inflated writing of Harrison's Square Rounds but admires the imaginative staging of the production.]
The dividing line between stimulating po...
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[In the following essay, Haberkamm provides an in-depth analysis of Harrison's V. and describes it as “a contemporary elegy, a public poem, which opens up to its social context without d...
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[In the following review, Imlah posits that Harrison's take on the horror of Hiroshima is somewhat strained, yet still “casts its dark imprint firmly on the mind.”]
From the va...
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[In the following review, Latanté complains that Harrison's work is not easily found in American bookstores, but that his collections Permanently Bard and The Shadow of Hiroshima and Oth...
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[In the following essay, Crucefix discusses the importance of formal meter and speech to Harrison's poetry.]
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Harrison's first full collection, entitled The Loiners after the inhabit...
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[In the following essay, Forbes argues that Harrison has more in common with eighteenth-century poetic models than his twentieth-century contemporaries.]
There has been surprisingly little discussi...
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[In the following review, Kaiser asserts that class and language are the predominant themes in the poems of Harrison's Permanently Bard.]
With its detailed introduction and extensive notes, ...
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[In the following essay, Rutter analyzes Harrison's The Labourers of Herakles and asserts that “To this female spectator in the audience Harrison's theatrical practice seems progr...
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Alceste, the aptly named title character in "The Misanthrope," is a man possessed.So is Belgian avant-garde director Ivo van Hove _ but in a good way. Van Hove has burnished an iconoclastic reputat...
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