Prompted by actress Ruth Gordon and encouraged by Thornton Wilder, Timothy Findley began to write seriously in 1956. Yet for twenty years he was best known as an actor and author of radio and television dramas and documentaries. He won the 1971...

Abstract In the Bragg and Minna stories, Findley continues his war against inner monsters, particularly the codes which constitute the conservative ideal of 'manhood'. The character of Bragg is a sympathetic portrait of the harmful effects produced by the internalization of homophobic...

With his latest novel, Headhunter, Canadian novelist Timothy Findley is once again poised for recognition in the U.S. It is a situation that has recurred at regular intervals since 1964, when the late Grace Bechtold, of Bantam, bought his first novel, The Last...

In the following essay, Hulcoop provides a stylisticc discussion of Findley's work, examining how Findley uses textual and sensual markers in his early fiction as a means of drawing the reader into the text.

York is an educator. In the essay below, she delineates Findley's focus on war and conflict in The Last of the Crazy People, "Lemonade," and other early works.

[The protagonist of Pound's modernist poem "Hugh Selwyn Mauberley"] is the main character—initially, at least—in Timothy Findley's new novel, Famous Last Words. Immediately, one recognizes it as a brilliant idea that sparks a variety of possibilities in the reader's imagination. Findley has re-invented Mauberley for his own purposes, making him a younger man than Pound's, American, and a novelist. But any artist—according to Brecht, anywayȁ...