Thomas Hart Benton (1889-1975) was one of the principal American regionalist painters of the 1930s. He imbued the subjects of his work, people of the small towns of the Midwest and South, with a crude...
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Nancy Weekly, essayist for the catalog accompanying an exhibition of Charles Burchfield’s watercolors at DC Moore Gallery, refers to the painter’s landscapes as an “amalgamation o...
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Upon entering The Drawing Impulse in American Art: 1900-1950, an exhibition of works on paper at the Hirschl and Adler Galleries, I was quick to dismiss it as pro forma and predictable, the result ...
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No Limits, Just Edges: Jackson Pollock Paintings on Paper, at the Solomon R. Guggenheim Museum, is an exhibition that manages two remarkable feats. It rescues Pollock the man (1912-1956) from the m...
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No Limits, Just Edges: Jackson Pollock Paintings on Paper, at the Solomon R. Guggenheim Museum, is an exhibition that manages two remarkable feats. It rescues Pollock the man (1912-1956) from the m...
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