Biography EssayFrom the production of his first dramas in the early 1970s until his death in 1989, Thomas Bernhard was one of the most prominent and controversial playwrights composing for the German-...
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Thomas Bernhard, one of postwar Austria's most original prose stylists, was also one of its most prolific writers. Between the 1950s and his death in 1989 Bernhard wrote fifteen novels and long narrat...
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From the production of his first dramas in the early 1970s until his death in 1989, Thomas Bernhard was one of the most prominent and controversial playwrights composing for the German-language theate...
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Critical Essay by Robert Maurer
Thomas Bernhard is evidently a writer who prefers great risks, like a swimmer who chooses to enter the water with a quadruple flip from the highest board rather than f...
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Critical Essay by D. A. Craig
Few present day novelists writing in German make such compulsive reading as Thomas Bernhard…. Few evoke such powerful and haunting images of people and the landsc...
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Critical Essay by J. W. Lambert
When [Thomas Bernhard] was awarded the Austrian State Prize he accepted with the words 'Everything is ridiculous when one thinks of death'. The Minister ...
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Critical Essay by Betty Falkenberg
In a way and to a degree unequalled by any of his contemporaries, Handke, Kroetz, the entire Graz or "Viennese Group" (Artmann, Beyer, Achleitner) tog...
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Critical Essay by Richard Gilman
Bernhard, an Austrian like Handke, is nearly 50 years old and for some time has been recognized in the German-speaking world as an extraordinary, if hard to classify,...
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Critical Essay by Martin Esslin
In the German-speaking world, and in the whole of continental Europe, Thomas Bernhard … is generally accepted as one of the leading literary figures of his time...
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Critical Essay by Francis Michael Sharp
The historical past forms a particularly important backdrop for the first volume of Bernhard's autobiographical works, Die Ursache (The Cause; 1975). It...
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Critical Essay by Stella P. Rosenfeld
Die Kälte is the fourth volume of what promises to be a lengthy series of autobiographical reminiscences. As in its predecessor, Der Atem (1978 …),...
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Critical Essay by John Simon
An Austrian who detests Austria and Austrians, a human being who confronts humanity with the greatest mistrust, a writer who puts his faith in writing even while his ever...
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In the following essay, Barthofer explores possible influences on Bernhard’s dramatic style and provides an overview of his early plays, contending that they do not “fit easily into comm...
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In the following essay, Görner asserts that “the question of what sustains the individual, given the overwhelming sense of pointlessness, is one of the main concerns in Thomas Bernhard...
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In the following essay, Dowden asserts that for Bernhard’s plays to be fully understood and appreciated, they should be considered in light of how they were performed as well as the conditions ...
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In the following essay, Gruber provides a psychological analysis of Bernhard’s characters and surveys his literary techniques.
Answer M D’s and Mrs. Dingley’s letter, Pdfr, d...
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In the following essay, Theisen examines Bernhard’s treatment of genre in his work—particularly comedy and tragedy—and asserts that the playwright “experiments with the del...
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In the following essay, Gross discusses Bernhard’s treatment of death in Der Ignorant und der Wahnsinnige.
Thomas Bernhard’s recognition of the omnipresence of death has provided the ...
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In the following review, Bachem provides a mixed assessment of Force of Habit.
In his earlier play Die Jagdgesellschaft Thomas Bernhard had already commented that we never know what is a comedy and...
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In the following essay, Schlant offers a negative review of Die Berühmten.
Die Berühmten is one of Thomas Bernhard’s four recent plays to deal with the performing arts and arti...
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In the following negative review of Der Weltverbesserer, Rosenfeld finds the play “tedious and boring.”
When the curtain rises on Thomas Bernhard’s play, which bears as its mot...
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In the following essay, Honegger chronicles the 1981 Minneapolis production of Eve of Retirement.
… I’m returning from the edge of forgetfulness.
Walter Abish
The day I arrived...
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In the following negative assessment of Vor dem Ruhestand, Acker contends the play reinforces several of Bernhard’s recurring themes and stylistic techniques.
At first glance it might appear...
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In the following essay, Esslin places Bernhard within the context of contemporary Austrian dramatists and compares his plays to those of Irish writer Samuel Beckett.
Austrian writers use the German...
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In the following review, Hoover offers a laudatory review of Der Schein trügt and compares Bernhard with the dramatists Samuel Beckett and Harold Pinter.
With the play Der Schein trüg...
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In the following essay, Haberl offers a negative review of Ritter, Dene, Voss.
The book jacket informs the reader that the three characters mentioned in the title of Bernhard’s play Ritter, ...
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In the following essay, Meyerhofer analyzes the autobiographical elements of Bernhard’s work, particularly his play Der Theatermacher.
Die Idee ist gewesen, der Existenz auf die Spur zu komm...
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In the following mixed assessment of Elisabeth II, Daviau maintains that “Bernhard offers a very small slice of life here, and though the trip through the work is pleasant enough, one is left w...
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In the following essay, Kiebuzinska enumerates the many reasons for the controversy surrounding Bernhard’s Heldenplatz.
The violent discussions in reaction to Thomas Bernhard’s Helden...
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In the following essay, Wolfschütz traces Bernhard’s literary career and investigates the thematic and formal consistency found in his poetry, novels, and plays.
Thomas Bernhardȁ...
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In the following essay, Esslin summarizes the plots of Bernhard’s major plays, noting his use of repetitious dialogue and “almost total absence of surprise, suspense or development. ...
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In the following essay, Honegger discusses the influence of philosopher Ludwig Wittgenstein on Bernhard’s work and philosophy.
I with the German language this cloud around me that I keep as ...
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In the following essay, Fetz discusses the defining characteristics of Austrian literature and how Bernhard’s work fits within that category.
I: Introduction
The question posed in the title ...
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In the following essay, Esslin presents several parallels between the lives and works of Samuel Beckett and Thomas Bernhard.
It occasionally happens that I am asked to name some of the more importa...
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In the following essay, Brokoph-Mauch explores the defining characteristics of Bernhard’s poetry, novels, and plays.
Thomas Bernhard, the grandson of the Austrian writer Johann Freumbichler,...
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In the following essay, Eisner contests Bernhard’s reputation as a nihilist.
Because of the concentration on illness, madness and death in his work as a whole, Thomas Bernhard and his work h...
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