Adorno, Theodor Wiesengrund(1903–1969)
Theodor Wiesengrund Adorno, philosopher, composer, sociologist, and aesthetic theorist, was born September 11, 1903, in Frankfurt am Main and died August ...
Read more
Retaining his intellectual roots in Hegel and Marx, the German philosopher Theodor W. Adorno (1903-1969) moved freely across diverse academic disciplines to probe into the nature of contemporary Europ...
Read more
German philosopher Theodor W. Adorno (1903-1969) moved freely across academic disciplines exploring contemporary European culture and the predicament of modern man. A leading member of the influential...
Read more
The writings of Theodor W. Adorno have significantly influenced the disciplines of philosophy, aesthetics, musicology, and politics. His Gesammelte Schriften (Collected Writings, 1970-1986) comprises ...
Read more
In the following essay, Agger explains Adorno's place in critical theory.
Critical theory chances to be either a museum-piece in the hands of its modern inheritors or a living medium of poli...
Read more
In the following essay, Hamilton argues that Adorno's ideas about jazz, understood in their proper context, do have relevance as a part of his larger aesthetic theory.
Theodor Adorno'...
Read more
In the following essay, Harding argues that Adorno's thesis in Ästhetische Theorie is based on a notion of historical dialectics.
As Peter Hohendahl has noted, the posthumous publicat...
Read more
In the following essay, Wolin examines the utopian elements of Adorno's aesthetics.
In 1980, Leo Lowenthal formulated a set of prescient insights about the future of Critical Theory in an in...
Read more
In the following essay, Hansen discusses differences in the way Disney was viewed by Adorno and Walter Benjamin, finding in their respective analyses important keys to their opinions on twentieth-cent...
Read more
In the following essay, Pepper analyzes the aphorisms in Minima Moralia.
It follows from this that anybody who attempts to come out alive—and survival itself has something nonsensical about ...
Read more
In the following essay, Harding finds similarities between Adorno's ideas about jazz and those of Ralph Ellison's narrator in Invisible Man.
All totaled, Theodor Adorno wrote seven es...
Read more
In the following essay, Hohendahl discusses works from Adorno's period living in the United States as well as Adorno's traumatic experience as an exile from his native Germany.
It wou...
Read more
In the following essay, Maase examines what he sees as misreadings of Adorno's theories on mass culture in America.
During the 1950s, Max Horkheimer and Theodor Adorno, together with other E...
Read more
In the following essay, Israel examines Minima Moralia for insights into Adorno's character and personality and the impact his exile in the United States had on his critical thought.
1. Flyin...
Read more
In the following essay, Olschner examines the relevance of Adorno's assertion that lyric poetry could not be written after the events of the Holocaust.
A tenaciously recurring leitmotif acco...
Read more
In the following essay, Martin reviews Minima Moralia, finding the book intriguing even though he disagrees with many of Adorno's assertions.
Our society distributes itself into Barbarians, ...
Read more
In the following essay, Rothberg discusses the legacy and frequent misinterpretations of Adorno's assertion that “to write poetry after Auschwitz is barbaric.”
I. Introduction: ...
Read more
In the following essay, Isenberg examines the student backlash against Adorno and other members of the Frankfurt School in Germany in the 1960s.
On April 22, 1969, shortly after beginning a lecture...
Read more
In the following essay, Rosen discusses Adorno's little-known volume Composing for the Films.
Important recent work on the ideological operations of cinema bases itself on a view of the hist...
Read more
In the following essay, Hohendahl examines critical response to the publication of Adorno's Ästhetische Theorie.
Theodor Adorno's major contribution to the philosophy of art, h...
Read more
In the following essay, originally published in 1983, Huyssen discusses the influence of Adorno's theory of the “culture industry.”
Ever since the failure of the 1848 revolutio...
Read more
In the following essay, Jay analyzes the theoretical, sociological, and aesthetic work Adorno did while living and working in the United States.
The exemplary anecdotes are known to us all. Adorno ...
Read more
In the following essay, Nye examines the ways in which Adorno's opinions about American culture affected his criticism of jazz.
The school of social thought called critical theory has two ma...
Read more
In the following essay, originally published in French in 1988, Rochlitz locates Adorno's place in aesthetic modernity.
Modernity can be assigned a minimalist as well as a maximalist definit...
Read more
In the following essay, originally published in German in 1989, Bubner interprets the major points of Adorno's philosophical system.
“I do not want to decide whether my theory is grou...
Read more