Conrad (Potter) Aiken (1889-1973), poet, essayist, novelist, and critic, was one of America's foremost men of letters and a major figure in American literary modernism. In Conrad Aiken's "Silent Snow, Secret Snow," a young boy named Paul withdraws from h...

Conrad Aiken's long and productive literary career has prompted such descriptions of him as "the buried giant of twentieth-century American writing" (Malcolm Cowley), "the best known unread poet of the twentieth century" (Louis Untermeyer), and appreciat...

Conrad Aiken's long and productive literary career has prompted such descriptions of him as "the buried giant of twentieth-century American writing" (Malcolm Cowley), "the best known unread poet of the twentieth century" (Louis Untermeyer), and appreciat...

Ray Routhier Staff Writer Portland Press Herald (Maine) 07-18-2004 ROOM BY ROOM Byline: Ray Routhier Staff Writer Edition: Final Section: Home & Garden Memo: sidebar room EVERY ROOM IN the Job Lyman House in York has been redesigned and redecorated as part...

BROKEN PROMISES A room, a bed, a toilet, a home Mentally ill find shelter, friends in 2 inner-city buildings where drugs, decay are constant threat Sunday, September 17, 2000 By MEG KISSINGER of the Journa Sentinel staff What...

The model apartment of today is a rather sophisticated piece of work: Not only does it come with an aura of a projected future, but with pre-made, manufactured ghosts. Two examples at 995 Fifth Avenue—a conversion of the former Stanhope Hotel across from the Metropolitan...

A co-defendant in O.J. Simpson's armed robbery case will plead guilty to a reduced charge and testify that guns were involved in the theft of sports collectibles from two memorabilia dealers, the man's lawyer said Friday.Charles Cashmore is accused of being one of five men...

The technique of casting doubt upon everything by matching each apparently clear and unequivocal statement with an equally clear and unequivocal statement of its contrary—used rather crudely in some parts of [his first play, The Room]—… is one which we shall find used constantly in Pinter's plays to create an air of mystery and uncertainty. The situations involved are always very simple and basic, the language which the characters use is an almost uncannily accurate reproduction ...

Frequently Pinter's plays begin comically but turn to physical, psychological, or potential violence—sometimes, in varying sequences, to all three. Terror inheres in a statement in The Room that the onstage room, which is occupied, is to let. Although the play turns comic again, it ends on a note of physical violence. In the early plays menace lurks outside, but it also has psychological roots. The titular room—in which the heroine lives, fearful of an outside force she does not specify...

In the following review, Kellaway asserts that Pinter's The Room and Celebration, produced as a double-bill, are marvelous companion pieces.