In the following review, Steyn argues that Soderbergh's visual style in The Limey successfully portrays the workings of the main character's mind throughout the film.
Terence Stamp is...
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In the following review, Strick discusses the recurring symbol of “the wall” in The Limey and how this symbol relates to the various relationships in the film.
It was around the middl...
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Remember the moment in Kill Bill: Vol. 2 when Uma Thurman plucks out Daryl Hannah's last remaining eyeball and crushes-really squishes it-between her bare toes, to the evident delectation of Quenti...
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Critical Review by Mark Steyn
The Cinema Stupido: Kill Bill, Sin City New Dumb Avant-Garde
