Search "The Ghost Writer"
|
|
The Ghost Writer | |
|
About 40 pages (11,946 words) in 13 products |
|
Encyclopedia and Summary Information
summary from source:
 The Ghost Writer Information
388 words, approx. 1 pages
 The Ghost Writer (1979) is the first novel by Philip Roth to be narrated by Nathan Zuckerman, one of Roth's alter egos and constitutes the first book in his Zuckerman Bound trilogy and epilogue. The novel touches on themes common to many Roth works,... 
  summary from source:
 Minnesota Monthly Ghost writer
10/01/2003: 447 words, approx. 2 pages Spooky storyteller Michael Norman still doesn't know if he believes RUN A WEB search on Michael Norman, and sites like Weird Wisconsin and Aliensonearth.com turn up on the list of matches. Which isn't surprising, since Norman has a book of ghost stories in... summary from source:
The Village Voice The Ghost Writer
08/29/2007: 388 words, approx. 1 pages The Ghost Writer One for Sorrow By Christopher Barzak Bantam, 308pp., $12 Christopher Barzak's love lives of dead teenagers BY ELIZABETH HAND One for Sorrow, Christopher Barzak's lovely, melancholy, off beat first novel, affectingly captures the emotional centrifuge that is adolescence,... summary from source:
 The New York Observer Zuckerman Unsound
10/2/2007: 1,008 words, approx. 3 pagesEXIT GHOSTBy Philip RothHoughton Mifflin, 304 pages, $26 What to do when the best living American novelist writes a weak book? The New Yorker solved the problem (in the Oct. 1 issue) with an extended Q&A, allowing Hermione Lee to caress the author with feather-soft... summary from source:
AP News Roth says farewell to fictional hero
9/27/2007: 868 words, approx. 3 pagesPhilip Roth says he's done with Nathan Zuckerman. But is Nathan done with Philip Roth? "Goodbye, Nathan Zuckerman," the headline from Time magazine reads. Roth, the story declares, "has exhausted the possibilities of his character," the fictional adventurer of "The Ghost Writer," "The Anatomy Lesson"...
Literary Criticism
summary from source:
 Critical Essay by Patrick O'donnell
2,904 words, approx. 10 pages
Interpretative fantasies, from Clarissa and Tristram Shandy to Finnegans Wake, Pale Fire, and Gravity's Rainbow, have traditionally concerned themselves with such problems as "validity," "discursivity," and "reality" vs. "textuality," particularly with the status of fictional texts, their origins, ends, and authoritative power. Philip Roth's recent novel, The Ghost Writer, is part of this tradition: it is about origins, and the problems o... summary from source:
Critical Essay by W. Clark Hendley
2,500 words, approx. 8 pages
The Ghost Writer must be initially examined from the context of the Bildungsroman because Roth has so deliberately placed it in this context. After focusing on the novel as a work of fiction within a clearly defined tradition, then the critic can look to the narrative for parallels to the author's life and insights into his growth and development. In comparing the novel with its predecessors we can not only evaluate its departures from that tradition but also assess Roth's implications about t... summary from source:
Critical Essay by Judith Yaross Lee
1,403 words, approx. 5 pages
Sixty years after Joyce published his [bildungsroman known as A Portrait of the Artist as a Young Man], its themes sound hackneyed: a youth caught between his vision of the truth and the sentimental, institutionalized beliefs of his elders; the artist escaping from the world of his father through flights of fancy that become fact. To redeem this adolescent fantasy from the storehouse of cultural commonplaces, a writer has just two choices. The serious approach already canonized, Philip Roth applied his comi...
|
The Ghost Writer | |
|
About 40 pages (11,946 words) in 13 products |
|
|
