Bell, MSO unleash power of Romantics By TOM STRINI Journal Sentinel music critic Saturday, November 25, 2000 The Romantic movement in music took composers further and further from their Classical models and sources. By the turn of the century, time-honored...

In Salisbury library, the fiction stacks on the ground floor are intersected by the bulbous white cabinets of old, streamlined refrigerators. Pull downwards on the chrome handles and the doors open to reveal the surprising contents inside: plastic dinosaurs on skateboards; a ship's lavatory...

[Ed. note: this article was originally published on August 14th, 1995.] On a recent afternoon, four women met at an Upper East Side restaurant to discuss what it was like to be an extremely beautiful young woman in New York City. About what it was...

Eighteen massive brass bells rescued from a Moscow monastery nearly 80 years ago during a Soviet-era crackdown on religion and donated to Harvard University are being returned to Russia.A delegation from Harvard on Tuesday signed an agreement with officials from the Russian Orthodox Church to...

"The Bells" by Edgar Allan Poe is a third-person omniscient poem about four different bells and the sounds they make.

Analyzes The Bells, a poem by gothic writer Edgar Allan Poe. Discusses Poe's use of poetic devices including alliteration, assonance and rhyme. Explores how these devises combine with musical words to capture the reader's imagination.

Edgar Allan Poe's poem "The Bells" brings out the meaning behind the symbols of various bells. He incorporates musical and sound devices as well as auditory and visual imagery to describe different dispositions associated with four different types of bells.