Taxi Driver captured the angst felt throughout America in the post-Vietnam era. Directed by Martin Scorsese, Taxi Driver (1976) is a psychological drama and a tale of alienation, displaced sexuality, and life in the big city. The film stars Robert De...

Taxi Driver is a 1976 film directed by Martin Scorsese and written by Paul Schrader. The movie is set in early post-Vietnam Era New York City and stars Robert De Niro as Travis Bickle, a lonely, isolated taxi driver, and Jodie Foster as the 12-year-old...

Taxi Driver(WG) Collector's Edition 1.85:1 (16x9 Enhanced) Dolby Digital 5.1 Sony Pictures Home Entertainment, $24.96 "Loneliness has followed me my whole life, everywhere. In bars, in cars, sidewalks, stores, everywhere. There's no escape. I'm God's lonely man," says...

...

A group of cabbies sued city regulators Wednesday in an attempt to block a new requirement that all taxis be outfitted with global positioning systems and software that will record where they drive.The move comes two weeks after thousands of cabbies went on strike for...

A taxi drivers' advocacy group has called for a two-day strike next month to protest new technology requirements, but other taxi groups oppose the strike.The New York Taxi Workers Alliance fears the Global Positioning System required in cabs starting this fall would be used to...

In the following excerpt from an essay in which he discusses Taxi Driver and Lina Wertmuller's Seven Beauties (1976), Westerbeck examines the dreamlike qualities and allusions to genre in Scorsese's film.

Basing its tortured hackie hero vaguely on the pasty-faced Arthur Bremer, who, frustrated in his six attempts to kill Nixon, settled on maiming George Wallace for life, Taxi Driver not only waters down the unforgettable (to anyone who's read his diary) Bremer, but goes for traditional plot sentimentality. Bremer, as he comes across in his diaries, was mad every second, in every sentence, whereas the Bickle character goes in and out of normality as the Star System orders. The Number One theme in the A...

[Taxi Driver] is, in part, a film about films. But it is unusual in being expressive of, and simultaneously about, a particular kind of film, which might be called "the pornography of violence." Through the windshield of Travis Bickle's cab, the audience sees the repeated image of movie marquees. Through most of the film, these marquees advertise erotic films, displaying titles like "Swedish Marriage Manual" or "Anita Nymphet." But after the film's blo...

Analysis of Taxi Driver by Martin Scorcese.