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Tahar Ben Jelloun.
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In the following review, Hussein asserts that Ben Jelloun uses a compressed prose style and structure to focus on an individual mind in Silent Day in Tangier.
Tahar Ben Jelloun is a novelist, poet and...
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In the following review, Sellin offers a positive assessment of Les Yeux baissés, arguing that the novel succeeds on both a narrative and allegorical level.
Sometimes authors fade after winning...
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In the following review, Cooper discusses the pervasive power of the mafia in L'Ange aveugle and notes the recurring theme of “victimized childhood” throughout the collection.
Aft...
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In the following essay, Fayad traces the influence of Argentinian author Jorge-Luis Borges in Ben Jelloun's L'Enfant de sable and argues that the novel's “blind troubadour&...
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In the following review, Cooper calls L'Homme rompu a “remarkable novel” and praises the work's suspense, imagery, and narrative structure.
In his prefatory note the Morocc...
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In the following essay, Mehta explores how Ben Jelloun relates the immigrant experience through the eyes of his female protagonist in Les Yeux baissés.
Immigration and its psycho social ramific...
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In the following review, Campbell criticizes State of Absence for its series of “flimsy anecdotes” and complains that the book suffers from a poor translation.
Tahar Ben Jelloun is a Mor...
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In the following review, Elia questions Ben Jelloun's ambivalent portrayal of sexism in his short story collection Le Premier amour est toujours le dernier.
Winner of the prestigious Prix Gonco...
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In the following review, Eder describes how Ben Jelloun uses his sense of “social and moral acuteness” to corrupt the protagonist, as well as the readers, of his novel Corruption.
To sho...
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In the following review, Hibbard lauds the moral “shaping impulses” of Corruption, asserting that Ben Jelloun's text reveals the “endemic” social corruption in certa...
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In the following review, Salti argues that the publication of Poésie complète: 1966-1995 is “long-overdue” and speculates that, for Ben Jelloun, “poetry has always r...
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In the following review, Fleurant praises Ben Jelloun's focus on complex gender relations in Le Premier amour est toujours le dernier, noting that Ben Jelloun is “a master of short ficti...
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In the following review, Sellin compliments Ben Jelloun's lyrical prose but argues that La Nuit de l'erreur is too derivative and dependent on the formulaic narrative structure establish...
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In the following interview, Ben Jelloun discusses how writing in French has affected his work, how his career began and progressed, and the role of Morocco in his prose.
Tahar Ben Jelloun is one of Fr...
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In the following review, Sellin describes Labyrinthe des sentiments as a “haunting and unusual book,” asserting that the novel's focus on one main narrative distinguishes it from ...
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In the following review, Brett discusses Ben Jelloun's indictment of French prejudice against North African immigrants in French Hospitality: Racism and North African Immigrants.
In the ninetee...
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In the following review, Mahjoub examines the controversy surrounding the publication of Cette aveuglante absence de lumière.
In July 1971, a group of army officers attacked the palace at Skhir...
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In the following review, the critic argues that Jelloun offers an overly simplistic rendition of Islamic history in This Blinding Absence of Light.
Based on an incident involving starvation and tortur...
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In the following review, Sardar compares Islam Explained to Barnaby Rogerson's The Prophet Muhammad: A Biography and Asma Barlas's “Believing Women” in Islam: Unreading Pat...
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In the following review, Zameenzad praises Ben Jelloun's poetic language in The Sacred Night but questions if Western readers can appreciate the novel's Eastern mysticism.
“The tr...
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In the following essay, Marrouchi traces the development of the character Zahra in La Nuit sacrée and examines how the novel deconstructs traditional notions of gender and colonization.
We...
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In the following review, Buss lauds the lyrical examination of Muslim gender relations in The Sacred Night.
La Nuit sacrée, which was reviewed in the TLS of January 27, 1989, shares its narrato...
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In the following review, Mortimer discusses how Ben Jelloun utilizes the character of the ailing patriarch in Jour de silence à Tanger to create a “sober and poetic text of introspection...
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In the following essay, Cazenave traces the central themes of age and gender in L'Enfant de sable and explores how the novel acts as a metaphor for the problems faced by Maghrebin authors writi...
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In the following review, Eder compliments Ben Jelloun's “telling, subtle and occasionally puzzling portrait” of the protagonist in Silent Day in Tangier.
To be dead is to be cut o...
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In the following interview, Ben Jelloun discusses his relationship with France and Morocco, his friendship with French author Jean Genet, and his overall body of work.
On May 25, 1991, Tahar Ben Jello...
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