Martin, Steve (1945—)
Steve Martin's crazy, off-the-wall brand of humor had major effects on stand-up, television, film, and print. From the 1970s, when his white-suited appearances on the ensem...
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"Steve Martin may have started out as the Jerk, but he has ended up as the Legend," noted Susan M. Kirschbaum writing for In Style. The legend in this case was Martin's commendation by the American Mu...
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Critical Essay by Susan Peterson
The nature of Steve Martin's humor defies pat definition. He wanders from downright silly sight gags such as repeated bumbling with the microphones to ironic q...
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Critical Essay by Greg Lenburg, Randy Skretvedt, and Jeff Lenburg
Much has been written about the "new wave" comedy of the late seventies. It's been defined as a backlash against...
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Critical Essay by Jack Kroll
In a time burbling with misused and perverted intelligence, Steve Martin is a welcome apostle of pure idiocy. Not the corroded comforts of neuroticism (Woody Allen), not ...
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Critical Essay by Pauline Kael
A comic's naked desire to make us laugh can be an embarrassment, especially if we feel that he's hanging on that laugh—that he's experiencin...
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Critical Essay by Dave Marsh
Steve Martin has become the comedic rage by the usual means: introducing a couple of readily imitable phrases into the vernacular (excuse me if I don't repeat them...
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Critical Essay by Bruce Malamut
Jokers like David Steinberg and George Carlin are just that—jokers and no more, whereas [Steve Martin and Randy Newman] (even sounds like a comedy team, eh?) ar...
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Critical Essay by David Felton
[Steve Martin's] jokes are funny—not just funny but, you know, different, weird, "out there." Like his description of all the world's...
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Critical Essay by Tony Schwartz
Martin's style is a pie in the faces of Lenny Bruce, Dick Gregory, Mort Sahl and all the iconoclastic comics who dominated the stand-up scene in the '60s...
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Critical Essay by Publishers Weekly
Rising comic star Steve Martin apparently has wide appeal, but ["Cruel Shoes," a] collection of 50 of his short routines, finds us reacting with irri...
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The trend seems as plain as the nose on your child's face, or an arrow through your head. There's Madonna, Billy Crystal and Jamie Lee Curtis. And Jerry Seinfeld. And John Lithgow. And Katie Couric...
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American Prospect asks name-y experts about the most overrated and underrated cultural events of the year. Historian Antony Beevor: “Overrated: I was deeply disappointed by the film Atonement...
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Billy Crystal will be awarded the Mark Twain Prize for American Humor.He's the 10th recipient of the award, given annually by the John F. Kennedy Center for the Performing Arts. It'll be presented ...
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From "Good Vibrations" to "GoodFellas," Brian Wilson and Martin Scorsese scored. Steve Martin strutted as one of the "wild and crazy guys." Diana Ross sang to Motown stardom. Pianist Leon Fleisher ...
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From "Good Vibrations" to "GoodFellas," Brian Wilson and Martin Scorsese scored. Steve Martin strutted as one of the "wild and crazy guys." Diana Ross sang to Motown stardom. Pianist Leon Fleisher ...
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From "Good Vibrations" to "GoodFellas," Brian Wilson and Martin Scorsese scored. Steve Martin strutted as one of the "wild and crazy guys." Diana Ross sang to Motown stardom. Pianist Leon Fleisher ...
Read more
George Stevens Jr. knew he created something special in 1978 when he saw the audience at the Kennedy Center react to old black-and-white footage of Marian Anderson singing on the steps of the Linco...
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