Anderson, Sherwood (1876-1941)
Although Sherwood Anderson had a relatively brief literary career, publishing his first novel when he was forty years old, he has left an indelible mark on American lite...
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Biography EssayAlthough Sherwood Anderson is not one of the major figures in twentieth-century American literature, he is for several reasons a writer of very considerable significance. At his best in...
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The works of the American writer Sherwood Anderson (1876-1941) are graced by a psychological complexity absent from earlier American fiction. His stories stress character and mood, and his style is la...
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On the last day of February, 1941, at age 64, Sherwood Anderson set off on a new adventure: he and his fourth wife, Eleanor Copenhaver, sailed on the Santa Lucia on a goodwill mission to South America...
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Sherwood Anderson visited Paris twice during his life; once in 1921 and once in 1926-1927. Each trip lasted only a few months and, of the two, the first was by far the more important. Indeed, the seco...
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Although Sherwood Anderson is not one of the major figures in twentieth-century American literature, he is for several reasons a writer of very considerable significance. At his best in short fictio...
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Sherwood Anderson, now regarded as one of the most important American writers in the short-story form, was born to Irwin McLain Anderson and Emma Smith in Camden, Ohio, on 13 September 1876 and raised...
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In the following essay, Lawry argues that “Death in the Woods” is concerned with the self, the artistic imagination and creative act, and the narrator's creation of meaning.
Sh...
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In the following essay, Rohrberger offers a symbolic reading of “Death in the Woods,” which, according to Rohrberger, alludes to ancient myths of death and rebirth, as the narrator...
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In the following essay, Joselyn discusses the various transformations that occur in “Death in the Woods,” and argues that the story is unified through the interweaving of these metamorph...
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In the below essay, Guerin argues that “Death in the Woods” is a story about writing. The key to the story, according to Guerin, is the revelation that the narrator experiences at the si...
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In the following essay, White discusses a 1916 version of “Death in the Woods.”
The Sherwood Anderson devotee is surely pleased that “Death in the Woods” has achieved st...
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In the following essay, Miller traces the genealogy of “Death in the Woods” through an examination of relevant documents, noting that the final version of the story relies upon oral narr...
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In the following essay, Ellis discusses the theme of spiritualized relationships debased by "the intrusions of the brutishly sexual" in Sherwood Anderson's stories "The Man...
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In the following essay, Chase provides an overview of Anderson's later novels, essays, and poetry.
Later Novels
Anderson has so far published five novels; in addition to the two already disc...
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In the following essay, Bidney examines Anderson's retelling of the supernatural poetry of Samuel Taylor Coleridge.
The poet-philosopher Joe Welling, solipsistic yet inspired, and the monstr...
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In the following essay, White examines Anderson's depiction of the grotesque in the physical, psychological, and sexual propensities of his characters.
Sherwood Anderson's Winesburg, ...
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In the following essay, Wolfe discusses the influence of the women in Anderson's life on his writings.
Sherwood Anderson hailed from the Buckeye State, and the Midwest claims him as one of i...
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In the following essay, MacGowan explores the significance of paternity and patriarchy to “The Man Who Became a Woman.”
Sherwood Anderson's short story “The Man Who Beca...
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In the following essay, Kramer examines the role of traditional Southern structures of masculinity and femininity and the changing industrial landscape in Beyond Desire.
From 1927 to 1931 Sherwood ...
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In the following essay, Lindsay argues that Anderson's “urban” fiction fails to realize its intended impact.
My inquiry into the unrealized city in Sherwood Anderson's f...
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In the following essay, Wixson explores Anderson's place in the literary political landscape of the 1930s in the United States.
“We are in the new age. Welcome, men, women and childre...
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In the following essay, Engel examines Anderson's themes in Mid-American Chants.
Sherwood Anderson once wrote that “the best way to kill the growth of a distinctive middle western lit...
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In the following essay, Atlas discusses Anderson's relationships with the women in his life and the effect they had on his characterizations of women in Winesburg, Ohio.
Winesburg, Ohio has ...
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In the following essay, Colquitt observes the connection between Anderson's polarization of male and female and the narrative techniques of “Death in the Woods.”
Like most writ...
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In the following essay, Bidney analyzes “the androgynous model of the psyche” as the unifying element to the stories in Winesburg, Ohio.
No previous study of Sherwood Anderson has not...
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In the following essay, Wentworth discusses the meaning of personal tics and repeated phrases in Winesburg, Ohio.
One of the most remarkable aspects of Sherwood Anderson's craftsmanship in W...
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In the following essay, Badaracco analyzes the influence of advertising and marketing techniques on Anderson's early-twentieth-century news columns in which he explored the development of the e...
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In the following essay, Anderson examines the self-portraits throughout Sherwood Anderson's fiction.
That Sherwood Anderson was his own favorite fictional character is obvious to anyone fami...
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In the following essay, Tobin traces Anderson's development of his short story “Not Sixteen.”
Myths about Sherwood Anderson's life and art die hard. In recent years, cri...
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I Want to Know Why
The narrator is so awestruck with horses and horseracing that his throat hurts when he sees a really promising horse and he is certain that he "can tell a winner" (4). He consid...
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Writer Sherwood Anderson learned how to capture authentic American small-town life by training himself to listen and observe. "My own desire is to develop my own sensitiveness to life to the highes...
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The American painter Charles Burchfield (1893-1967), whose work is the subject of a splendid exhibition at the DC Moore Gallery, was one of the most accomplished artists of his generation. He was a...
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The American painter Charles Burchfield (1893-1967), whose work is the subject of a splendid exhibition at the DC Moore Gallery, was one of the most accomplished artists of his generation. He was ...
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The poster for Reds, Warren Beatty’s 1981 epic about American radicals in the early 20th century, has a single, striking image: a couple embracing at a train station. It’s not the summa...
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The poster for Reds, Warren Beatty’s 1981 epic about American radicals in the early 20th century, has a single, striking image: a couple embracing at a train station. It’s not the summa...
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