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Richard Pryor.
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Pryor, Richard (1940—)
In the 1970s and 1980s, Richard Pryor was one of America's top comedians, creating a daring new comedy of character by transforming African-American culture into h...
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Richard Pryor (born 1940) was one of the most influential stand- up comedians of his generation, and starred in a number of hit films and comedy recordings. He created a new type of humor, one that bl...
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Critical Essay by James Mcpherson
Almost singlehandedly, [Richard Pryor] is creating a new style in American comedy, a style that some of his admirers have called "theater" because there...
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Critical Essay by Pauline Kael
When [Charlie] Chaplin began to talk on-screen, he used a cultivated voice and high-flown words, and became a deeply unfunny man; if he had found the street language to ...
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Critical Essay by Robert Hatch
Like other professions, that of the comedian has its own hierarchy. Pryor is a jester, a high rank that can be defined as a clown who goes armed…. [His] charm is ...
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Critical Essay by Stanley Kauffmann
[Richard Pryor Live on the Sunset Strip] has a sprinkling of high spots—the animal imitations, a scene with the Mafia—but the direct confrontation of ...
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Critical Essay by Colin L. Westerbeck, Jr.
I like Pryor. I think he's funny. But I've never thought he was off the charts, absolutely hilarious. A few years ago he did [a performance fil...
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Critical Essay by Michael H. Seitz
[Richard Pryor] is at his best in the recently released "concert" film, Richard Pryor Live on the Sunset Strip. Although the witless pop comedies he...
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Critical Essay by Jonathan Rosenbaum
At the center of Richard Pryor's comedy is his grasp of poverty and weakness, pain and defeat—the very reverse of that strength and self-confidence w...
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Critical Essay by Robert Duncan
[The] problem with reviewing comedy records is eventually the problem with comedy records themselves. Just how many times can you hear the same punchline and laugh? Aft...
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Critical Essay by Tom Carson
Bill Cosby may rent his smile to Ford while Dick Gregory retreats into sanctimonious oblivion, but Pryor is still a defiant, freakily incorrigible survivor—someone ...
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Critical Essay by David Denby
[Bustin' Loose] doesn't aim high. It's a family comedy with a formula plot and a horribly corny ending, and the movie almost succeeds in domesticatin...
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Critical Essay by David Denby
Bending low, microphone in hand, Richard Pryor turns himself into two cheetahs calmly stalking a herd of gazelles in his new performance film, Richard Pryor Live on Sunse...
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