In the following essay, Andrew discusses the interplay between male and female characters in Red Cavalry and argues that “an understanding of the female characters, their plot roles, the way they are depicted, and, indeed, what they symbolise, is critical in a broadly-based and systematic analysis of the world of war, revolution and violence” which constitutes the collection.

In the following essay, Schreurs analyzes intertextuality as a montage strategy in Red Cavalry, finding allusions to Russian folk epics and nineteenth-century works by Leo Tolstoy and Nikolai Gogol.

In the following essay, Kornblatt finds a number of connections between Babel and Nikolai Gogol and analyzes Red Cavalry in light of the Cossack myth.