Biography EssayTitus Maccius Plautus is the earliest Roman author whose works have survived. His plays, valued especially for their lively stock characters, their exuberant language and meter, and the...
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Plautus (ca. 254-ca. 184 BC) was a Roman writer. His theatrical genius, vitality, farcical humor, and control of the Latin language rank him as Rome's greatest comic playwright.During the 3d century B...
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Titus Maccius Plautus is the earliest Roman author whose works have survived. His plays, valued especially for their lively stock characters, their exuberant language and meter, and the information th...
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In the following excerpt, Harsh provides a survey of Plautus's major plays.
The twenty extant plays of Plautus constitute an astonishingly varied collection of good, bad, and indifferent com...
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In this essay from a 1972 symposium, Segal examines the concern with financial and business affairs displayed in Plautus's works.
Comedy is, in one sense, the perfect crime. It effects a mag...
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In the excerpt below, Sandbach analyzes Plautus's use of language, observing: "Words were a source of delight" for the playwright.
Plautus, the most original and vigorous write...
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In this essay, Riehle examines the structural and comedic devices Shakespeare derived from Plautus and employed in The Comedy of Errors and other works.
1. Some Basic Elements of Scenic Dramaturgy
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Here, Konstan examines the theme of materialism and its corrosive effect on morality in the Asinaria.
Four-fifths the way through the play, the plot of Plautus' Asinaria takes a sudden and s...
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In the excerpt below, Sutton offers two differing interpretive approaches to the Mostellaria: psychological and social.
Mostellaria (The Haunted House) is based on the play Phasma (The Ghost) by th...
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In the following essay, Kent outlines what is often said to be the "typical" Plautine plot and identifies the ways in which Plautus's plays vary from this stereotype.
The amusi...
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In the following excerpt, Harsh offers an overview of Plautus's major plays, commenting on the source materials, plots, and the influence of the plays on later works.
The twenty extant plays...
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In the following essay, Hanson studies Plautus 's use and development of the stock character the miles gloriosus, or braggart soldier, maintaining that this character was used by Plautus as a c...
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In the following excerpts from his book-length study of Plautus's comedies, Segal sketches Plautus's career as a professional playwright popular with Roman audiences and explores the rel...
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In the following excerpt, Tatum explains that three of Plautus's comedies—Bacchides, Casina, and Truculentus—are less familiar today than his others because of their unconvential ...
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In the following essay, Ryder discusses Plautus's use of the stock character the senex amator, asserting that Plautus's handling of the lecherous old man who falls for a young girl diffe...
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In the following essay, Lowe compares Plautus's Asinaria to its Greek model Onagos and identifies several aspects of Plautus's comedy which are perhaps Plautine innovations rather than f...
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In the following two chapters from his book-length analysis of Plautus's work, Anderson first examines the way in which Plautus subverts the conventional love plot in order to transform Greek r...
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In the following essay, Owens compares Plautus's Bacchides to the Greek play on which it was based (Menander's Dis Exapaton) and demonstrates that several aspects of the play's pl...
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