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Peter Viereck.
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Peter Robert Edwin Viereck was born in New York City. He graduated summa cum laude from Harvard College in 1937 with a B.S. in history and literature. He did graduate work on a Henry fellowship at Chr...
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In the following review of Terror and Decorum, Rodman praises Viereck's first collection of poetry for being "so rich in experimental vigor."
In ten years of reviewing verse. I ha...
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In the following review, Rexroth faults the poetry in The First Morning for not concentrating on a consistent poetic goal.
Peter Viereck is well aware of the separation of the poet from society. He pr...
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In the following essay, Hayward examines Viereck's insistence on making ethical judgments about poetry and considers his commitment to writing poetry that maintains a vital, active relationship...
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In the following review of The Persimmon Tree, Carruth considers the poetry in this volume an improvement over Viereck's earlier works but confesses that he finds Viereck's poems "...
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In the following excerpt from an essay, Green examines the political and moral elements in Viereck's poetry.
… No one could accuse this history professor of neglecting the contest outsid...
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In the following essay, Benton offers a close examination of the literary parodies and theological themes in Viereck's poem, "Don't Look Now but Mary Is Everybody. "
Vierec...
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In the following review, Woods finds no dramatic structure to The Tree Witch, which Viereck intended as both a poem and a play.
The Tree Witch is presented as "a poem and a play (first of all a...
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In the following essay, Jacobsen argues for the durability of Viereck's poetry, suggesting that in addition to his technical skills his work reveals a certain universality which she calls a ...
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In the following review of New and Selected Poems: 1932-1967, Lierberman surveys Viereck's career commitment to both politics and poetry.
The career in poetry of Peter Viereck, perhaps more tha...
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In the following chapter from her book-length study, Henault surveys the constants of Viereck's poetry—particularly the themes of poetic classicism and ethical responsibility.
On a first...
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In the following review, Pettingell examines the grand ambitions of Archer in the Marrow: The Applewood Cycles and concludes that Viereck identifies art with morality.
Two decades ago, Peter Viereck b...
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In the following review of Terror and Decorum, Eberhart admires the "new complex of contemporary feelings" and the extent of the technical skills exhibited in Viereck's poetry.
Pe...
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In the following review, Lind calls Archer in the Marrow: The Applewood Cycles a "philosophical poem" and suggests that it marks Viereck's return to German romanticism.
There Are ...
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In the following review, McDowell praises the historical vision and philosophical breadth of Archer in the Marrow: The Applewood Cycles, and he suggests that the seriousness of this book dwarves the w...
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In the following review, Edmundson argues that despite the epic ambitions of Archer in the Marrow: The Applewood Cycles, the work does not represent a conceptual or poetic advance.
Imagine a poem of e...
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In the following review of Tide and Continuities: Last and First Poems 1995-1938, Kirby admires Viereck's sharp wit and his experiments in poetic form but finds many of his poems repetitive rat...
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In the following review, Pettingell calls Tide and Continuities: Last and First Poems 1995-1938 "a versatile and entertaining book" and suggests that the poetry in this volume represents...
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In the following review of Terror and Decorum, Goodman faults Viereck for stopping short of self-exploration and for finding satisfaction in a "disheartening" superficiality.
The most mo...
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In the following review of Terror and Decorum, Johnston connects Viereck's first volume of poetry with his study of history and concludes that he is an author "perhaps a little too full&...
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In the following review, Fitzgerald calls most of Viereck's poetry "patter" and doubts that there is much in Terror and Decorum that readers will study or reread for pleasure.
The...
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In the following review of Strike through the Mask!, Rosenthal claims that he endured Viereck's "saucy banalities" in this volume for the sake of six or seven rich, suggestive poe...
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In the following review, Daiches finds Strike through the Mask! disappointing in comparison to Terror and Decorum, but praises Viereck for his continued struggle to realize his poetic vision.
If Strik...
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In the following excerpt from a review, Nemerov describes The First Morning as an uneven mixture of "witty and ingenious poems " with a large quantity of mediocre work.
The poet's...
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In the following review of The First Morning, Friar argues that Viereck has a great deal of technical skill but no poetic voice of his own.
Even if Santayana did write Peter Viereck from Rome: "...
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