Peter Handke (born 1942) was an Austrian playwright, novelist, screenwriter, essayist, and poet.There was little evidence very early in his life that Peter Handke would one day challenge the theatrica...
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Peter Handke is one of the most prolific and significant contributors to Austrian literature of the latter twentieth century. Controversy has beset this dramatist, novelist, essayist, poet, scriptwrit...
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Theatergoers are certain to be shocked by a performance of a Peter Handke play. They may find themselves doing the acting while being cursed from the stage, or they may be subjected to hours of sweet,...
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Critical Essay by Gay Mcauley
Handke presents us with a clown [in Kaspar]—the visual impact of Kaspar, with his unco-ordinated gestures and bizarre costume, is clown-like, his name suggests th...
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Critical Essay by James Wolcott
Gregor Keuschnig, the protagonist of [A Moment of True Feeling], awakens one morning from uneasy dreams to discover that he has not been transformed into a gigantic in...
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Critical Essay by Bonnie Marranca
Handke's body of work is chiefly concerned with language and behavior, a major interest with central European writers. (p. 272)
Kaspar, perhaps Handke...
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Critical Essay by Ferdinand Mount
[Handke] uses all the old-modern tricks. In one of his plays not a single word is spoken. In another, the characters are to be given the names of the actors who play...
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Critical Essay by Olaf Hansen
Taking the strained relationship between philosophy and fiction seriously, [Handke] has with single-minded stubbornness developed his own artistic form at the core of wh...
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Critical Essay by William Kakish
In A Moment of True Feeling, Peter Handke deals with [the Kantian] problem of the perception of the world, crystallized in the problem of identity of Gregor Keuschnig...
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Critical Essay by Nicholas Hern
Most of [Handke's] plays and novels consist of a series of affirmative propositions, each contained within one sentence that is usually a simple main clause or ...
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Critical Essay by J. D. O'hara
One of the irritating facts of the current literary scene is that Peter Handke is absolutely the cat's meow in intellectually arty circles now…. [H...
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Critical Essay by David Blum
The Left-Handed Woman tells the story, with delicacy and eloquence, of a woman's escape….
These are the details [Handke] gives the reader: a woman, needi...
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Critical Essay by Erika Munk
[While They Are Dying Out] has been publicized and reviewed as Handke's most overtly political work, the words "most" and "overtly" mus...
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Critical Essay by June Schlueter
The theater of Peter Handke is [self-conscious] …, not simply in terms of self-referentiality, but in its overall assertion of theater as a self-sufficient ent...
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In the following essay, Hays examines the theoretical and aesthetic principles governing Handke's critical perspectives and dramatic works, particularly his effort to subvert the conventions of...
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In the following review, Kamine offers a positive evaluation of The Afternoon of a Writer.
This short novel [The Afternoon of a Writer] was inspired by F. Scott Fitzgerald’s “Afternoo...
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In the following review, Leonard offers a positive assessment of The Afternoon of a Writer.
Peter Handke's early novel The Goalie’s Anxiety at the Penalty Kick and his semifictionaliz...
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In the following excerpt, Updike offers a tempered assessment of The Afternoon of a Writer, which he notes may appear “pompous” and “claustrophobic” to American readers des...
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In the following review, Skwara complains that Das Spiel vom Fragen oder Die Reise zum Sonoren Land tends to be abstract and inaccessible.
Peter Handke's newest book [Das Spiel vom Fragen od...
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In the following review, Skwara offers a positive assessment of Versuch über die Müdigkeit.
What a wise and beautiful book, quite possibly one of Peter Handke's major works. Di...
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In the following review, Hegi complains that Absence lacks characterization and creates intentional linguistic gaps.
The four nameless characters in Peter Handke's latest novel are like pape...
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In the following essay, Caviola examines the development and significance of Handke's increasingly sober and subjective tone in Langsame Heimkehr and Der Chinese des Schmerzes. Caviola argues t...
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In the following essay, Metcalf examines Handke's preoccupation with the aesthetic and contextual properties of language, particularly Handke's effort to purify language of its conventio...
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In the following review, Hofmann offers a positive assessment of Absence.
Peter Handke's descriptions of reality are of two kinds: some are of superior accuracy, some describe a superior rea...
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In the following review, White offers an unfavorable assessment of Versuch über den geglückten Tag.
Peter Handke's new prose-work is the third in a series of “Versuche...
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In the following essay, Schlueter examines the deep-seated themes of individual loss and alienation that underlie the political ideology of They Are Dying Out.
In 1974, a year after its publication...
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In the following review, Skwara offers a positive evaluation of Versuch über den geglückten Tag.
Not one word on the dust jacket, not the merest hint tells the prospective reader what...
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In the following essay, Honegger examines Handke's approach to the problem of language and verbal expression in his dramatic works and prose experiments, particularly the use—or absence&...
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In the following review, Falk assesses Die Theaterstücke and Handke's literary development.
The meteoric ascent of the enfant terrible of the German literary establishment, Peter Hand...
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In the following review, Skwara offers a positive assessment of Langsam im Schatten.
Peter Handke's most recent book, containing essays, speeches, reviews, and critical comments, is by no me...
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In the following essay, Firda provides an overview of the major themes, narrative presentation, and artistic concerns in Der Chinese des Schmerzes, Die Wiederholung, Nachmittag eines Schriftstellers, ...
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In the following review, the critic offers an unfavorable assessment of The Hour We Knew Nothing of Each Other.
Edinburgh audiences have long since realized that the centre of energy and the avant-...
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In the following review, Honegger analyzes Handke's literary and aesthetic preoccupations in The Jukebox and Other Essays on Storytelling.
Claude Lanzman, explaining his approach to filmmaki...
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In the following review, Skwara offers a favorable assessment of Mein Jahr in der Niemandsbucht.
It can be argued and readily proven on the basis of the available body of world literature that a wr...
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In the following review, Timms finds shortcomings in Handke's criticism of Western media coverage of the Balkan war in Eine winterliche Reise zu den Flüssen Donau, Save, Morawa und Drina...
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In the following review, Ziolkowski commends Handke's intent but finds his efforts to provide an impartial view of Serbia unsuccessful in Eine winterliche Reise zu den Flüssen Donau, Sav...
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In the following excerpt, Cook offers a positive assessment of The Weight of the World.
The avant-garde thrives in Germany and Austria as nowhere else in Europe. Solemn, strenuously intellectual an...
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In the following review, Sellar offers a positive evaluation of Voyage to the Sonorous Land and The Hour We Knew Nothing of Each Other.
Thirty years after his disgust with the straitjackets of lang...
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In the following review, Rieff offers a negative evaluation of A Journey to the Rivers, which he calls a “contemptible book.”
For all the divisions that became apparent between their ...
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In the following review, Ziolkowski offers a negative assessment of Sommerlicher Nachtrag zu einer winterlichen Reise.
Why did Peter Handke write this little book [Sommerlicher Nachtrag zu einer wi...
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In the following review, Skwara offers a positive assessment of In einer dunklen Nacht ging ich aus meinem stillen Haus.
Each one of Peter Handke's books—or so it seems in retrospect&...
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In the following review, McGonigle offers positive assessments of My Year in the No-Man's Bay and Once Again for Thucydides.
Peter Handke's literary career has a pleasingly ambitious ...
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In the following review, Gass offers a positive evaluation of My Year in the No-Man's Bay.
When the Seine leaves Paris for the Channel, it makes several large loops while being forced by phy...
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In the following excerpt, Enright offers an unfavorable assessment of Across.
… The title [of Across] alludes to the novel’s leitmotif, and the subject of several expert mini-essays: ...
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In the following essay, DeMeritt examines the transition from alienation and fear to harmony and happiness in Handke's literary works, drawing attention to such thematic developments in Die Stu...
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In the following essay, Linstead provides an overview of Handke's literary career and discusses the major themes, artistic preoccupations, and narrative strategies of his novels.
Peter Handk...
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In the following review, Pool offers a favorable assessment of Repetition.
In Peter Handke's previous novel, Across, the central character asks whether “repetition,” so often v...
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In the following review, Oldfield offers a positive assessment of Repetition.
In Peter Handke's new novel, his young narrator describes a painter retouching an unseen mural inside a wayside ...
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In the following review, Hegi offers a positive assessment of The Afternoon of a Writer.
Language functions as barrier and bridge in Peter Handke's The Afternoon of a Writer, a fascinating e...
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In the following essay, Firda examines the techniques Handke uses to explore language in his plays.
Early Theater, 1966-1967
Though Peter Handke had published an experimental novel, Die Hornissen, ...
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In the following review, Koehler gives a positive assessment to Rolf Brauneis's staging of Handke's Die Unvernünftigen sterben aus.
Peter Handke's German theater doesn...
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In the following essay, Metcalf discusses Handke's usage of mythology and language to establish a quasi-fairy tale-like structure in Das Spiel vom Fragen.
I
In 1967 Peter Handke built himsel...
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In the following review, Riding discusses the production of Handke's The Hour We Knew Nothing of Each Other and how a play without words, only sound and actions, achieves a greater level of dra...
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In the following essay, Honegger, an English translator of Handke's work, discusses the usage of speech pattern and sound in Handke's The Hour We Knew Nothing of Each Other.
… ...
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In the following essay, Nordmann compares the works of Botho Strauss with Peter Handke, focusing on Handke's play The Hour We Knew Nothing of Each Other.
The performance of a text or the sta...
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In the following review, Grimm dissects Handke's Die Fahrt im Einbaum Oder Das Stuck zum Film vom Krieg plot line and character development, giving the play a negative review.
Peter Handke...
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In the following essay, Hern disusses the theatrics involved in Offending the Audience and how this play differs from standard theatrical productions time.
The text of Offending the Audience is pre...
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In the following essay, Hern discuses Kaspar, comparing it to The Living Theatre's production of Frankenstein, as well as to The Bald Prima Donna by Eugene Ionesco.
Even the title of Handke&...
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In the following essay, Schlueter discusses Handke's study of language in the play Kaspar.
Kaspar (1967), Handke's first full-length play, premiered simultaneously at the Theater am T...
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In the following essay, Herrick discusses language and its limitations in Handke's Kaspar and gives a comparison to The Chairs by Eugene Ionesco.
Although considerable scholarly effort has r...
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In the following essay, Malkin compares the play Kaspar to Franz Xaver Kroetz's dramas Stallerhof and Geisterbahn.
Peter Handke and Franz Xaver Kroetz have, as both will readily admit, very ...
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In the following essay, Barnett discusses how Kaspar has become a modern classic through its exploration of language and unique staging techniques.
Twentieth-century literature has been fascinated ...
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In the following review, Kaufman discusses theatrical stagings in the 1930s, as well as tie-ins to German movie stars whom director John Spitzer uses for his adaption of Handke's The Ride acros...
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In the following essay, Hern discusses the question of sanity versus insanity in Handke's work The Ride Across Lake Constance, comparing it to previous Handke plays such as Kaspar and My Foot M...
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In the following essay, Schlueter argues that Peter Handke's play They Are Dying Out is more an aesthetic statement than a political one.
In 1974, a year after its publication, They Are Dyin...
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In 2004, Franklin Foer, then a writer for The New Republic and Slate, published a book called How Soccer Explains the World. It was a good book, essentially nine or 10 travel pieces that explored n...
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In 2004, Franklin Foer, then a writer for The New Republic and Slate, published a book called How Soccer Explains the World. It was a good book, essentially nine or 10 travel pieces that explored n...
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