In the following essay, originally delivered as a lecture in 1981, Meszaros explores the significance of music in Pericles.
In The Shakespearian Tempest (1932) and The Crown of Life (1947), G. Wilson ...
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Peter G. Piatt, Barnard College
2. Gent. Is not this strange? 1. Gent. Most rare.
At the beginning of act 5 of A Midsummer Night's Dream, Theseus and Hippolyta discuss the rep...
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In the following essay, Muir surveys the text of Pericles, locating evidence of Shakespeare's authorship in the language, imagery, and thematic qualities of the work.
Whether we accept Mr Phili...
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Here, Fienberg discusses the economic metaphors of Pericles in relation to Marina's character, arguing that by selling moral discourse instead of her body "Marina acknowledges the market...
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In this essay, Dickey analyzes the characters of Pericles and Gower and the peculiarities of their dramatic and metadramatic relationships.
Criticism of Pericles traditionally has been attracted eithe...
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In the essay below, Welsh cites four "heritages" operating in Pericles: the archaic tale itself, the importance of riddles, the seven capital sins, and the appearance of the "flou...
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In the following essay First published in 1987, Nevo presents a psychological overview of Pericles, focusing on the work's chaotic symbolism and dream-like aspects.
A thing which has not been ...
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In this essay, Taylor explores the difference between the quality of Pericles* innocence and Marina's.
I
In Shakespeare's plays the corrupt often confuse innocence with stupidity. Swayed...
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In the following essay, Kiefer explores the thematic links of art/nature and father/daughter in Pericles.
As a metaphor the book of nature elucidates the realms of art and nature in Shakespeare'...
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In the essay below, Schiffhorst surveys the varied imagery of Pericles, offering it as evidence that the play was either entirely written or emended throughout by Shakespeare.
Critical attention to th...
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In this essay originally presented in 1981 at the second Congress of the International Shakespeare Association, Dunbar examines the stage imagery of Pericles, maintaining that the "visual prese...
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In the following essay first presented at an International Conference in 1987, Leggatt describes the specter of incest that hangs over all of the sexual relationships in Pericles.
When incest appears ...
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In the essay below, Lewis focuses on the thematic implications of the relationship between sexuality and eating in the imagery of Pericles.
The problems which have, historically, plagued critics of Pe...
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In the following essay, Bloom presents an overview of Pericles, concentrating on the last three acts.
Shakespeare was occupied with Pericles in the winter of 1607-8, though scholars are not able to de...
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In the following essay, Cutts argues that the outer disharmony Pericles encounters reflects the inner disharmony of his own character.
F. D. Hoeniger, in the introduction to his edition1 of Pericles, ...
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In the following essay, Flower explores how the relationship between disguise and identity in Pericles reveals and defines character.
The paradox in Pericles, Prince of Tyre is the paradox of fantasy:...
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In the following essay, Lynch argues that Gower serves as the “surrogate author” of Pericles, claiming that Shakespeare's use of Gower “involves a double strategy: a confes...
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In the following excerpt, Delvecchio and Hammond trace the production history of Pericles from the seventeenth through the twentieth century.
Performance and Reception
Seventeenth Century
From the beg...
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In the following essay, Wood uses the theme of flattery as it appears in the second act of Pericles to support an argument for Shakespeare as the play's sole author, and as the basis for the as...
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In the following essay, Jordan argues that the incestuous relation of Antiochus and his daughter in Pericles constitutes a metaphoric representation of political tyranny, and that Antiochus represents...
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In the following essay, Solway examines the dreamlike qualities of Pericles.
Some to the Lute, some to the Viol went, And others chose the Cornet eloquent. These practising the Wind, and those the Wir...
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In the following essay, Hart argues that analysis of the adjective “rough” in Cerimon's phrase “rough music” points to the mother goddess Diana as the controlling de...
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In the following essay, Hoeniger outlines the plot of Pericles, noting the play's appeal to live audiences and paying special attention to the figure of Gower. The critic maintains that at cert...
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In the following excerpt, Healy asserts that in Pericles Shakespeare presented a veiled criticism of the efforts of King James I to wed his children to members of the Spanish royal family.
Louis MacNe...
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In the following essay, Dean contends that Pericles is a pilgrimage tale, and outlines several literary works that may have influenced Shakespeare's creation of the drama, including two from th...
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In the following essay, Bicks detects references in Pericles to the tension surrounding the practice of traditional Catholic rituals as practiced in the reformed Church of England in the early 1600s. ...
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In the following essay, Hopkins considers the treatment of geographical locations in Pericles, concluding that the travels depicted in the play are symbolic of an exploration of the characters'...
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In the following essay, Dubrow analyzes the dynamic involving parents and children in Pericles, positing that Shakespeare's treatment of familial relationships reflected a widespread apprehensi...
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In the following essay, Semon argues that Pericles conveys a world where moral rules do not apply and where most of the characters respond to events with a sense of unexplained wonder. According to th...
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In the following essay, Eggers focuses on the character of Gower as an “authorial presenter,” a dramatic role common during late 1500s and early 1600s. The critic suggests that this conv...
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In the following essay, Hillman compares Pericles to John Gower's Confessio Amantis. The critic maintains that the character of Pericles shares many traits with the character Amans in the Confe...
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In the following review of the Kings County Shakespeare Company production of Pericles, directed by Jonathan Bank, Bruckner praises the wide range of emotional responses that the play elicited from th...
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In the following review of the Joseph Papp Public Theater/New York Shakespeare Festival production of Pericles, directed by Brian Kulick, Isherwood faults the weak cast and stylistic treatment, but gr...
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In the following review of the Joseph Papp Public Theater/New York Shakespeare Festival production of Pericles, directed by Brian Kulick, Simon strongly criticizes the director's staging of the...
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In the following excerpted review of the Royal Shakespeare Company production of Pericles, directed by Adrian Noble, Potter praises both the cast and the production's visual and musical splendo...
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In the following essay, Womack asserts that Pericles shares similarities with earlier dramas that venerated saints, most notably the play Mary Magdalen. The critic discusses the two plays in the conte...
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In the following essay, Mullaney argues that Pericles represents a dramatic experiment in which Shakespeare attempted to dissociate the dramatic art form from its popular context and instead re-imagin...
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In the following excerpt, Abraham argues that Pericles embodies emblems of alchemy in the treatment of its two romance themes: the difficult quest and loss and restoration.
Pericles, Prince of Tyre is...
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In the following essay, Saenger argues for the dramatic integrity of Pericles, insisting that the “flaws” are not really flaws, but rather Shakespeare's ingenious manipulation of ...
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In the following essay, Mowat discusses Shakespeare's authorship of Pericles, maintaining that the dramatist integrated and innovated, within the dramatic design of his romance, the imitatio tr...
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In the following essay, Alvarez argues that Pericles's journey to understanding moves from external to internal as he realizes that the harmony of the soul is achieved through the union of thre...
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In the following review, Macaulay maintains that Adrian Noble's Royal Shakespeare Company (RSC) production of Pericles was flawed, citing Noble's uninspired vision, Ray Fearon's P...
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In the following excerpt, Clapp maintains that Adrian Noble's Royal Shakespeare Company (RSC) production of Pericles downplayed the unevenness of the play and notes that its setting reflected e...
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In the following review, Macaulay hails Yukio Ninagawa's staging of Pericles at London's National Theatre, asserting that the director utilized rich theatrical imagery to paint the odyss...
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In the following excerpt, Wilson comments on Yukio Ninagawa's thematic fusion of Western and Japanese cultures in his interpretation of Pericles's odyssey, stressing its spiritual compon...
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In the following review, Hemming endorses Neil Bartlett's staging of Pericles at London's Lyric, Hammersmith, particularly noting the sparsely appointed stage which invited the audience ...
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In the following excerpt, Kellaway applauds the audacity of Neil Bartlett's artistic vision in his Lyric, Hammersmith, staging of Pericles, noting that the sparse hospital-like setting foregrou...
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David Skeele, Slippery Rock University Theatre
"I do not fear the flaw. "
(act III, scene i)
One of the more pervasive images in current popular culture is that of the "channel s...
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Stuart M. Kurland, Duquesne University
Critics have generally found the story of Perieles, Prince of Tyre, interesting—if at all—for the strange and marvelous adventures that befall th...
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Success often leads to overconfidence and an artificial blindness that prohibits people from realizing the threats they face and how those threats will affect what will happen in their future. In the ...
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Pericles' unmatched skills as a politician gave him the ability to truly take the helm of Athenian government and steer Athens in the direction of his vision. Under Pericles Athens reached it greatest...
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Athens rose to greatness during the fifth century B.C, and it is fiercely believed that this ascension to greatness was due, largely in part to the immense efforts and innumerable achievements of one ...
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Pericles was a renowned and influential statesman, speaker and general of Athens. He was born during 490 BC from the Alcmaeonidae family and died on 429 BC from plague at 61 years of age. His father w...
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