Everything you need to understand or teach
Paul Schrader.
Products may contain comprehensive summaries, analysis, notes, articles, essays,
lesson plans and more. See below for details on what is included.
Paul Joseph Schrader was born in Grand Rapids, Michigan. Despite his often-demonstrated "confessional" style of writing, Schrader's childhood remains largely a mystery. What emerges from his sketchy c...
Read more
Critical Essay by Vincent Canby
Having now seen "American Gigolo," "Hardcore" and "Taxi Driver,"… I can't tell whether Mr. Schrader seizes on th...
Read more
Critical Essay by Pauline Kael
There's no American director who gives his movies a tonier buildup than Paul Schrader does. His interviews about his new "Cat People" … might...
Read more
Critical Essay by Richard Combs
Without the compulsive plot mechanism that usually draws [Schrader's] characters ineluctably towards their destiny …, Cat People tends to disintegrate int...
Read more
Critical Essay by Stanley Kauffmann
Paul Schrader, who wrote the dubious script of Taxi Driver and the undubiously awful script of The Yakuza, wrote [Blue Collar with his brother Leonard]…. The...
Read more
Critical Essay by Pauline Kael
Blue Collar has to be one of the most dogged pictures ever produced. Making his début as a director, Paul Schrader, the phenomenally successful young screenwriter...
Read more
Critical Essay by Andrew Sarris
[In Blue Collar Schrader] seems to have been influenced by both Godard and Antonioni—the former in the deadening ritual of the assembly line itself, and the latt...
Read more
Critical Essay by Arthur Schlesinger, Jr.
[In Blue Collar, one feels that Paul Schrader] has a distinctive imagination and eye without as yet a sure directorial instinct. The discordant elements in th...
Read more
Critical Essay by Vincent Canby
[The films of Paul Schrader] are difficult to get hold of. They are not only about contradictions, they deal in them. As often as not they employ shock effects that app...
Read more
Paul (Joseph) Schrader
Critical Essay by Vincent Canby
