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Parmigianino

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About 6 pages (1,761 words) in 3 products

"Parmigianino" Search Results
Contents:
Biography

Name: Parmigianino
Birth Date: January 11, 1503
Death Date: August 24, 1540
Place of Birth: Parma, Italy
Place of Death: Casalmaggiore, Italy
Nationality: Italian
Gender: Male
Occupations: painter

summary from source:
Biography of Parmigianino
474 words, approx. 2 pages
The Italian painter Parmigianino (1503-1540) was a pioneer of the mannerist style, within which his work shows an essentially decorative emphasis and accomplished smoothness. The real name of Parmigianino a nickname meaning "little man from Parma," was...


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Encyclopedia and Summary Information
summary from source:
Parmigianino Information
1,155 words, approx. 4 pages
Girolamo Francesco Maria Mazzola (11 January 1503- 24 August 1540), also known as Francesco Mazzola or more commonly as Parmigianino (a nickname meaning 'the little one from Parma') or sometimes "Parmigiano", was a prominent Italian Mannerist painter...


News and Journals
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The New York Observer
SoHo Museum Flees Yuppies, as the Met Goes For Baroque
9/18/2007: 663 words, approx. 2 pages
A few years back, Robert Hughes, former art critic for Time magazine and Goya biographer, wrote that sculptor Martin Puryear (b. 1941) was America’s greatest living artist, and damned if Mr. Hughes wasn’t close to the mark. New Yorkers will get an opportunity to make...
summary from source:

The New York Observer
Mother and Child Reunion: The Frick\'d5s Tiny Blockbuster
11/19/2006: 964 words, approx. 3 pages
Blockbuster exhibitions are defined by their scope and scale. A staggering array of objects meant to illuminate the accomplishments of an artist, culture or epoch has become the norm—at least for institutions with the clout to pull them off. Audiences are used to seeing (and...
summary from source:

The New York Observer
Mother and Child Reunion: The Frick's Tiny Blockbuster
11/19/2006: 964 words, approx. 3 pages
Blockbuster exhibitions are defined by their scope and scale. A staggering array of objects meant to illuminate the accomplishments of an artist, culture or epoch has become the norm—at least for institutions with the clout to pull them off. Audiences are used to seeing (and...
 


 

Parmigianino

Print-Friendly
About 6 pages (1,761 words) in 3 products


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