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Critical Essay by John Mendelsohn
[The] excesses of the [Jeff Beck Group's] Truth album (most notably its self-indulgence and restrictedness), are fully in evidence on Led Zeppelin's deb...
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Critical Essay by Chris Welch
"Led Zeppelin" was and still is one of the finest rock albums devised, one that gave birth to a whole school of rock thought, and provided stimulus to count...
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Critical Essay by Michael Oldfield
["Physical Graffiti" is] a work of genius, a superbly performed mixture of styles and influences that encompasses not only all aspects of Led Zep...
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Critical Essay by Jim Miller
[With] the release of Physical Graffiti, Led Zeppelin's sixth album, the question [of what group is the world's best rock band] has actually become relevant....
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Critical Essay by Jaan Uhelski
Physical Graffiti can stand on its own historically without the support of Zep's five other million sellers, but inevitably the cuts on this album will be scrutin...
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Critical Essay by Chris Welch
Of all the great British groups that emerged towards the end of the sixties, [Led Zeppelin] represented the most raw and powerful approach to music, combining an intellig...
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Critical Essay by Bud Scoppa
[Led Zeppelin plays] a basic, sinewy brand of music that depends for its impact more on simple relentlessness than on dramatic development. Not many bands could get away w...
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Critical Essay by Stephen Davis
Led Zeppelin's seventh album confirms this quartet's status as heavy-metal champions of the known universe. Presence takes up where last season's m...
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Critical Essay by James Wolcott
No "Black Dog" [in Presence], no "Kashmir" either. Yet though Presence doesn't bombingly pockmark the landscape or scale snowy Himala...
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Critical Essay by Dave Marsh
The Song Remains the Same isn't the landmark in rock cinema Led Zeppelin would like it to be. In fact, it's barely a movie at all, just some concert footage ...
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Critical Essay by Roy Harper
Robert Plant is one of the great "mediatricians" of the Sixties, and is likely to remain so into the Eighties and Nineties and beyond the year 2,000…....
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Critical Essay by John Mendelsohn
Hey, man, I take it all back! [Led Zeppelin II] is one fucking heavyweight of an album! OK—I'll concede that until you've listened to the album e...
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Critical Essay by Tony Palmer
Stylistically, [the music of Led Zeppelin] is a tour de force, borrowing from Bo Diddley, the Stones, Cream, and Burt Bacharach, fusing jazz, rock, blues, flamenco. It is...
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Critical Essay by Robert Smith
It's Plant's wailing, drifting, compelling voice and uninhibited stage presence, along with Page's electrifying musical direction (and guitar playin...
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Critical Essay by Lester Bangs
I keep nursing this love-hate attitude toward Led Zeppelin. Partly from genuine interest and mostly indefensible hopes, in part from the conviction that nobody that cras...
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Critical Essay by Bruce Harris
There's something absurd about reviewing an album like [Led Zeppelin III]. It's like reviewing Love Story. No one is the least interested in what you say. ...
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Critical Essay by Jon Landau
Three or four years ago, rock reviewing was less problematic than it is today. For one thing, you knew what to write about. The Byrds, the Animals, the Dead, the Airplane,...
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Critical Essay by Lenny Kaye
It might seem a bit incongruous to say that Led Zeppelin—a band never particularly known for its tendency to understate matters—has produced an album [#&...
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Critical Essay by Mike Bourne
The point is this: even the most trivial art offers some virtue, even the most evanescent entertainment, even the most utter jive, even Led Zeppelin.
To hear a retrospect...
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Critical Essay by Lester Bangs
Robert Plant, the original hippie, has been responsible for all of Led Zeppelin's lyrics, and his peacelove doves and mushy stairways are all over Houses of the H...
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Critical Essay by Steve Simels
The Zep is a band for which I have a sort of grudging respect; all their albums have had a few incandescent moments surrounded by great heaping gobs of overblown silline...
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