Oroonoko, or The Royal Slave: A True History
by Aphra Behn
Little is known about the enigmatic Aphra Behn other than the fact that she was the first Englishwoman to write professionally. She is bel...
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In the following essay, Brownley discusses Behn 's handling of the narrator in Oroonoko, asserting that the narrative persona is used "to unify and to add realism to disparate elements...
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In the excerpt below, Baker argues that Oroonoko represents the ideal man, and that through her novel Behn condemns European civilization.
It was the truth and power with which she recounted what s...
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In the following essay, Zimbardo argues that Behn's skill in using established as well as newly developing styles of discourse is evident in Oroonoko.
In his brilliant book, The Discourse of...
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In the excerpt below, Gallagher discusses the meaning of blackness in relation to European society in Oroonoko.
Behn's narrators, to be sure, are not the faceless, third-person, omniscient s...
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In the essay below, Hoegberg explores the idea of power struggle in Oroonoko, noting Behn's allusions to Achilles and Julius Caesar.
But those who came prepared for the business enclosed hi...
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In the essay below, Bernbaum addresses the question of realism in Oroonoko, concluding that much of Behn's material came from secondhand sources.
Historians of the novel assign to Mrs. Behn&...
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In the excerpt below, Sackville-West argues that Behn limited herself to exotic subjects instead of depicting life in her native Britain.
Some concluding estimate of Mrs Behn's work [is] ine...
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In the following essay, Hargreaves addresses the question of Behn's claims of travel to Surinam, arguing that new evidence suggests she did travel there.
In 1688 Mrs Aphra Behn, England...
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In the following excerpt, Spengemann argues that Behn's efforts to create a novel popular with the public resulted in a noteworthy and remarkable work.
Reading Oroonoko, as we necessarily do...
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In the following essay, Houston discusses the construction of the text and some thematic contradictions inherent within Oroonoko.
May we assume for the duration of this paper that texts are produce...
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In the following excerpt, McKeon explores the issue of authenticity in Oroonoko, arguing that Behn idolizes Surinam.
No mode of discourse is more likely to avail itself of the "strange, ther...
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In the essay below, Rogers argues that Oroonoko is a creative treatment of facts derived from Behn's personal experiences.
In 1913 Ernest Bernbaum gleefully exposed borrowings and inaccuraci...
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SOURCE: "Romantic Love-Prose Fiction," in Virtue of Necessity: English Women's Writing, 1646–1688, Virago Press Limited, 1988, pp. 85–101.
… Aphra Behn...
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In the following essay, Fogarty offers a new reading of Aphra Behn's 1688 novel Oroonoko, arguing that the novel does not reveal parallelisms bewteen slavery and the subjugation of women as has...
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In the following essay, MacDonald discusses why the character of Oronooko's black African wife, Imoinda, in Aphra Behn's novel Oroonoko is depicted as white in later adaptations of the w...
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Aphra Behn, a certainly extraordinary woman, especially for the age she lived in, still attracts critical attention with her novella Oroonoko, which is going to be the subject of this essay.
The text...
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Essay #1
In life and in literature, love and passion often drive a man to succeed. The drive was often led by a passionate cause, such as a woman. With this passion, a man could defy all obstacles a...
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Oroonoko is an intriguing and epic story of a young African prince who gets tricked into becoming a slave for a workers plantation written by the first professional woman author, Aphra Behn. As the ...
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