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Okot p'Bitek.
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Biography EssayWhen Okot p'Bitek surprised the world with Song of Lawino in 1966, he was recognized immediately as a major African poet. No other African writer-except possibly Christopher Okigbo of ...
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When Okot p'Bitek surprised the world with Song of Lawino in 1966, he was recognized immediately as a major African poet. No other African writer--except possibly Christopher Okigbo of Nigeria--had ma...
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In the following essay, Ofuani explores p'Bitek's revisions of his poetry to discover the overall direction of his poetry.
Creative writers have often assumed the mantle of literary crit...
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In the following essay, Ofuani discusses the difficulties in translating p'Bitek's works, focusing particularly on White Teeth.
White Teeth: A Novel is Okot p'Bitek's first...
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In the following essay, Ofuani explores elements that add to the thematic unity of Song of Prisoner
Despite numerous studies by critics and literary scholars, the effectiveness and aesthetic use of la...
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In the following essay, Okumu presents an overview of criticism on p'Bitek's poetry.
Since about 1966 there has been an on-going debate as to which of the following critical traditions i...
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In the following essay, Ramazani examines the complex relationship between anthropology and postcolonial literatures using p'Bitek's Songs.
The vexed relation between postcolonial litera...
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In the following essay, Ojaide examines the personae of Song of Lawino, Song of Ocol, and Song of a Prisoner and the way they function thematically and stylistically; and from this examination, he pro...
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In the following essay, Ofuani discusses the emotional effects of repetition in p'Bitek's poetic monologues.
Okot p'Bitek needs no introduction on the African literary scene. His ...
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In the following essay, Ofuani rejects critical interpretations based on morality of the prostitute figure in p'Bitek's Malaya monologue, focusing instead on a more balanced assessment o...
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In the following essay, Ofuani examines the effects of digression in p'Bitek's poetic monologues.
This paper discusses the use of digression as discourse strategy in Okot p'Bitek&...
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In the following essay, Osuagwu discusses the influence of traditional African literary forms on p'Bitek's poetry.
A discussion of Okot p'Bitek as a traditional poet in modern gar...
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In the following essay, Ngara examines the literary devices p'Bitek uses to express his sense of African nationalism.
Okot P'bitek's Two Voices
Okot p'Bitek is one of the m...
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In the following essay, Okumu discusses p'Bitek's use of literary devices that reflect his Acoli background.
Acoli traditional culture is a living culture in which folklore contributes t...
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In the following review, Tejani asserts that p'Bitek's Song of Prisoner explores a search for justice, while Song of Malaya attacks society's concept of morality.
Produced in a lo...
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In the following review, Moore praises p'Bitek's The Horn of My Love, asserting that p'Bitek's translation captures the evolving nature of Acoli culture and the expressiven...
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In the following review of Hare and Hornbill, Berner states that p'Bitek is uniquely qualified to translate a collection of East African folktales and comments on the tales' themes and s...
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In the following essay, Heywood argues that p'Bitek's songs form an "ongoing meditation on Freedom."
Seen against the evolving context of historic change, the work of the l...
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In the following excerpt, Ogunyemi discusses the physical and mental deterioration of the prisoner in p'Bitek's Song of a Prisoner.
Okot p'Bitek had been writing in the 50'...
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In the following excerpt, Goodwin describes p'Bitek's work as an effort toward "cultural analysis" and provides an overview of p'Bitek's major poetry, discuss...
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In the following essay, Ofuani examines the traditional and modern literary influences in p'Bitek's poetry and the difficulty in separating the specific sources of influence.
This articl...
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Okot p'Bitek
Okot p'Bitek
Critical Essay by Ogo Ofuani
