Ogden Nash (1902-1971) was arguably one of the most commercially successful English-language poets of the twentieth century.Nash's verse skewered the pretensions of the modern middle class existence a...
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During his lifetime, Ogden Nash was the most widely known, appreciated, and imitated American creator of light verse. The many Nash admirers, both scholars and the general public, would maintain, with...
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Critical Essay by William Rose BenÉt
[We] feel no hesitation in affirming that in these artless lyrics of [Hard Lines] Mr. Nash is also "a good wrietor." In case—as doesn&...
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Critical Essay by Louis Untermeyer
Remembering all the praise that has been spread over Ogden Nash's seven preceding volumes by uncritical admirers and admiring critics—this reviewer ha...
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Critical Essay by Thomas Sugrue
The latest collection of Ogden Nash's hymns to Neuros ["Good Intentions"] shows no advance or mutation in technique, but it reflects a more mellow...
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Critical Essay by Walter Blair
Among the writers of humorous poetry today, undoubtedly the most popular is Mr. Ogen Nash. People hunt out poems of his in the New Yorker or the Saturday Evening Post a...
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Critical Essay by Russell Maloney
Nash is the laureate of a generation which had to develop its own wry, none-too-joyful humor as the alternative to simply lying down on the floor and screaming. His ...
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Critical Essay by Christopher Morley
[Ogden Nash has lately published "Versus",] his first collection of sprung or spring-heel rhythms in six years. That has been a long time to wait. I...
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Critical Essay by David Mccord
At the present writing Mr. Ogden Nash is a household word in this country—at any rate, an apartmenthold word. His verse is quoted, often in mild distortion, much...
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Critical Essay by Lloyd Frankenberg
At first glance there is no resemblance between "Family Reunion," Ogden Nash's latest collection of verses, and T. S. Eliot's play of s...
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Critical Essay by Irwin Edman
I think practically all members of families except the dog or the cat will want to read ["Family Reunion"], and having read it, will want to meet the autho...
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Critical Essay by Frank Hauser
For some time now the well of American humour has been drying up. Benchley is dead, Perelman stale, Dorothy Parker no longer seems to favour us; only the cartoonists an...
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Critical Essay by Richard L. Schoenwald
[You Can't Get There from Here] is another book by Ogden Nash, a volume that has volume, unlike those which enclose a dozen or half-dozen or even a sing...
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Critical Essay by Lisle Bell
When a new poet comes along, the least a reviewer can do is to find method in his madness—and write a paragraph on the technique of it. This—now that our ch...
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Critical Essay by Morris Bishop
Ogden Nash is the only American except Walt Whitman who has created a new poetic form and has imposed it on the world. The Nashean stanza was foreshadowed, to be sure,...
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Critical Essay by Reed Whittemore
If we are to measure poets by their distinctiveness—and for better or worse the achieving of distinctiveness is the raison d'être for most 20th-...
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Critical Essay by Best Sellers
Does anyone, nowadays, have to be told to walk (not run) to your nearest bookseller and purchase this latest panacea for whatever ails you? One grieves that [The Old Do...
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Critical Essay by Robert V. Williams
Well, here is Ogden Nash once more in a new selection [A Penny Saved Is Impossible]. He confirmed the existence of the absurd for us when we were young enough rea...
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Critical Essay by The New York Times Book Review
The informing material of Ogden Nash's "Hard Lines" is the old material of two decades of American satirists. Like Mencken, Mr. N...
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Critical Essay by C. G. Poore
Mr. Nash deserves well of the Republic. He has given it another good book. May garlands and hosannahs and things attend his way. In the past, he has tormented the langua...
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Critical Essay by Ted Robinson
I tore the paper from this volume, from my perfecto jogged an ash, And, lo and behold, the book was "The Primrose Path" by ...
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Critical Essay by C. G. Poore
This is no time to sell Nash short. He is still fundamentally and magnificently unsound. "The Primrose Path" riots with authentic blossoms from the Nashoch...
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Critical Essay by Thomas Sugrue
Judged by the contents of ["I'm A Stranger Here Myself"], Mr. Nash is about halfway on his journey [from Park Avenue to Main Street]. He is gettin...
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Critical Essay by Peter Monro Jack
["I'm a Stranger Here Myself" is easy] on one's immediate reflexes, it has … cunningly delayed surprises, it has inexhaustible re...
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Critical Essay by George F. Whicher
Clearly Ogden Nash is God's gift to the United States. While writers of dismally serious intent are a dime a dozen, a genuine comic talent is nearly pricele...
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In the following review of Hard Lines, Bell comments on Nash's creative vocabulary and structure in his poetry, as well as his position in relation to "traditional" poets.
When...
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Here, Nichols contends that in The Private Dining Room Nash's style and subject matter matures, and, in an interview with the poet, discusses the factors that influenced his development
Mr. ...
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Below, American poet David McCord evaluates Nash's highly original voice and inventive genius, and compares Nash to other established American poets such as Robert Frost, E. B. White, e. e. cum...
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In the following review of You Can't Get There From Here, Redman reiterates critics' inability to analyze or categorize Nash's verse, while emphasizing his skill in the traditiona...
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In the following excerpt, Hasley examines the literary merits of Nash's poetry, evaluating themes, seriousness of subject matter, consistency in composition and editing, and Nash's elabo...
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In the following excerpt, Whittemore singles out Nash for his distinct verse and voice, the qualities by which Whittemore measures 20th-century poets, and describes Nash's legacy to the genre o...
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In the excerpt below, MacLeish argues that Nash did not write "light verse," but rather invented a unique, inimitable form that represented his times.
Ogden Nash's admirable ob...
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In the excerpt below, Crandell examines the relationship between humor and art in Nash's poetry.
For some readers, the term "humorous poetry" is an oxymoron. "Poetry...
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In the following review of The Primrose Path, Bell praises Nash's trailblazing verse and examines several themes present in the collection.
Opposite the title page of The Primrose Path there...
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In the following review, Untermeyer offers criticism of Nash's technique, contending that the rhyme scheme and long, asymmetrical lines obscure serious themes in his poetry.
Ogden Nash has b...
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In the following review of Good Intentions, Tinker comments upon Nash's insight into human nature and his ability to succinctly, accurately, and wittily incorporate those observations into his ...
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In the following review of Many Long Years Ago, Maloney describes Nash as a poet of the cynical generation produced by the Depression, who possesses the ability to make readers laugh at the foibles an...
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In this review, the critic lauds Nash's abilities as an ironist and philosopher, in addition to his talent as a humorist.
Although it is impossible to appreciate all the subtleties and refin...
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Below, Frankenberg analyzes Nash's theme of family as addressed in Family Reunion, and comments upon his irregular use of meter.
At first glance there is no resemblance between Family Reunio...
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In the excerpt below, McCord praises Family Reunion as a collection that appeals to all ages, and feels that it is representative of the body of Nash's work.
It may be assumed that Ogden Nas...
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In the following review, the critic praises the “oddball rhymes and inveterate good humor” of Marriage Lines.
The competition, the laughable habits, and the cooperation inherent in a ...
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In the following positive review of Nash's selected poems, the critic maintains that “it seems true that Nash today looms larger than we'd thought.”
[I wouldn't H...
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In the following review, the critic asserts that Nash might be read as a satirist as well as a poet.
In a splendid introduction to the poems [of I Wouldn't Have Missed It], Archibald MacLeis...
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In the following review, Ciardi offers a mixed review of Custard and Company.
The gnomes of whimsy must have been at work to arrange for four superlative books of nonsense in a single season. The h...
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In the following review, Lewis contends that “the word-play, the manipulation of language, is marvelous to read.”
There's certainly nothing new to say about Ogden Nash—l...
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In the following review, the critic maintains that “this book is a boon for everyone in these troubled times.”
With 60 of the late versifier's gems of acuity, this book [A Penn...
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In the following negative review, Disch notes the limited nature of Nash's verse, asserting that “measured against the general level of accomplishment in any standard anthology of humoro...
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In the following essay, Cottle lauds Nash's humorous verse, contending that “he is genuinely observant of what is abidingly and harmlessly funny, he is not sick or bitter, he uses for up...
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In the following essay, Crandell examines Nash's use of the “poet-fool” persona in his humorous verse.
For some readers, the term “humorous poetry” is an oxymoron...
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In the following review of Nash's collected poems, Kermode deems Nash's short, humorous verses tedious yet amusing.
I try to imitate him here, but he is probably ...
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In the following review, the critic offers a mixed assessment of The Untold Adventures of Santa Claus.
Last year's Christmas gimmick in America seems nowadays to become this year's ov...
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In the following review, Clayton offers a positive review of Santa Go Home.
At last we know why Santa Claus is “That genial, / Jolly, / Generous donor / Of gifts of which he's not the...
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In the following mixed review, Merriam contends that “Nash is a champion wit and social commentator at the upper level, but he becomes condescending in his new narrative poem for the little one...
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In the following review, the anonymous reviewer provides a laudatory assessment of There's Always Another Windmill.
Your true Nash-buff would have to go back and re-read every book of Nash-n...
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In the following brief review, the critic deems Nash “inimitable.”
A posthumous collection of 77 verses published in magazines but not in books, and we trust there will be more such s...
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In the following review, the critic praises Nash's Ave Ogden!: Nash in Latin.
Winnie Ille Pu was a runaway success, among the dwindling but noble band continuing Latin studies. Here [Ave Ogd...
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In the following review, Lenardon calls Ave Ogden!: Nash in Latin exciting.
Here [Ave Ogden!: Nash in Latin] is further proof that there must be something inherently amusing to a general audience i...
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In the following review, the critic provides a laudatory assessment of Nash's selected poems.
Admirers of the works of the late Ogden Nash, assuming that the oeuvre was locked into the light...
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The trend seems as plain as the nose on your child's face, or an arrow through your head. There's Madonna, Billy Crystal and Jamie Lee Curtis. And Jerry Seinfeld. And John Lithgow. And Katie Couric...
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Ellen Hanley _ a musical-theater performer best-known for playing Fiorello LaGuardia's first wife in the Pulitzer Prize-winning "Fiorello!" _ has died of a stroke after a long battle with cancer. S...
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Today is Thursday, Dec. 21, the 355th day of 2006. There are 10 days left in the year. Winter arrives at 7:22 p.m. EST.Today's Highlight in History:On Dec. 21, 1620, Pilgrims aboard the Mayflower w...
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I was struck by Robert Gottlieb’s question in his dance column last week, “How can educated and sophisticated viewers react so differently to a work of art?” Even the best critics...
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